As a young girl, Fawzia Mirza fell under the spell of Bollywood heroines and their promise of love and feminine perfection. As an adult, she looks back and re-imagines the epic romance in the classic film Aradhana, in a queer light.
As a young girl, Fawzia Mirza fell under the spell of Bollywood heroines and their promise of love and feminine perfection. As an adult, she looks back and re-imagines the epic romance in the classic film Aradhana, in a queer light.
2012-03-24
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When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.
The human drama is based on an interesting premise of a seasoned character actor who decides to come out of retirement and begin a quest for a record of some sorts, that elusive 500th role, the one for which he shall be remembered forever.
A woman threatens to leave her husband unless he installs a toilet in their home. To win back her love and respect, he heads out on a journey to fight against the backward society.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
A rich heiress who falls in love with a man who is not as financially stable as herself. When former love interests make an appearance, the new lovers face challenges.
Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.
The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.
A man suffering from anterograde amnesia as a result of a violent attack in the past sets out to avenge his girlfriend's death with the aid of photographs, notes and tattoos all over his body.
A woman secretly gives birth to a child after being raped by her boss and hides the truth from her husband.
The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.
Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.
The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.
A man's life changes after he unknowingly gets super powers and then embarks on a journey that helps him discover the true meaning of love, life, courage, sacrifice, and his role in the world. Balaji Motion Pictures presents a Brat Films production 'Super Singh'- "Ikk Te Assi Singh, Utton Super' punjabi cinema's 1st superhero film. Directed by national award winning and blockbuster punjabi film director Anurag Singh (Jatt and Juliet 1 & 2 and Punjab 1984).
Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.
Sameer, fast at losing his temper is re-located to Goa where he falls in love with Rani. But Sameer's new roommate Sunny, has some plans of his own.
Fathers & Sons is a comedic exploration of a group of men and their relationships with their fathers. A middle-aged Jewish man meets his father for the first time at the funeral of his mother. A south-Asian accountant introduces his white fiance to his father - a gay, Bollywood choreographer. A recently bankrupted Wall-Street broker has come home to borrow money from his music teacher father, and four brothers gather at the paternal home to pay their last respects and to collect their inheritance.
Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.
When Governor Jaisingh Sinha is murdered, the needle of suspicion points towards his estranged step-son, Sahil. Now Sahil must prove his innocence and find out who the real killer is.
Widower Amar is well-off financially and lives in a house with his daughter and servant Dayal. His sister and brother-in-law want him to marry again so that his daughter can have the love and care of a woman. Amar reluctantly agrees. Together they set out to check out two sisters, Shobha, and Sheela. Amar goes as Dayal, and Dayal goes as Amar, as Amar is not sure if a step-mother will be able to bestow care and love as a real mother. They arrive at the household of Durga, Shanti Swarup, Renu, Sheela, and their servant Geeta. They begin to settle down, Dayal in a spacious room, and Amar in the servant's quarters, which consists of an untidy room with no electricity. It is not long before Amar finds out that he is attracted to Geeta, and not to the two sisters, but in his present state, he cannot reveal himself and openly propose marriage. In the meantime, Durga starts getting suspicious about Amar and starts wondering if Amar is actually a servant or a crook.
Discovered by an eccentric ballet master, two gifted but underprivileged Mumbai teens face bigotry and disapproval as they pursue their dancing dreams.