Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.
When hot shot, Wall Street dealmaker Jai thinks of putting some pleasure into his 48 hour business trip to Mumbai, Sahil, his young, music-producer friend, drops everything, including his reckless boyfriend Alex, to help him execute the perfect getaway. Hiking the hills and canyons of Maharashtra, amidst half-attempted conversations and sudden silences, business calls and old jokes, the friends discover there is more than just time-zones keeping them apart. Things take another turn when Alex shows up with a new male-companion at his side, throwing up old conflicts and bringing unanswered questions to the fore.
Bob Biswas, a hitman-for-hire, comes out of a prolonged coma and struggles to recall his identity but suffers a moral dilemma when the memories of his past resurface.
Kartik & Aman’s relationship is tested when one of them has a fling which leads to a domestic spat. Kartik’s parents’ relationship breaks apart when Damodar and Vasudha have a tiff. Will these two couples ever be able to resolve their differences? Will their relationships stand the test of time? Kuch Sapney Apne is a sensitive heartwarming film about relationships, queer or not, and what happens when uncomfortable truths challenge relationships.
Two contemporary and creative music teachers, Mary D'Cruz and Manoj who provide a glimpse of the rich culture and refinement of music and theater to students who are driven by an unimaginative educational system in the name of Math, Science and Technology.
A story of belonging and acceptance, identity and family told through courageous, queer women choose to embrace love that exists beyond their personal beliefs and social moralities.
After arresting a drug dealer during an undercover operation, police officer Yeshwant Lohar is framed for murder and imprisoned by his corrupt supervisor, Salim Shaikh, who is involved in distributing narcotics. Determined to prove her husband's innocence, wife Ragini resists Salim's attempts to intimidate or bribe her. Salim then releases false photos of Ragini having an affair with police officer Atul, shaking Yeshwant's faith in his wife.
Raj is a Mafia member. One day he meet a girl (Meera) while chasing by his rival gang and falls in love with her. Later he finds out that this girl is the daughter of the leader of his rival gang. Yet their love story continues until he was shot by his girlfriend upon a deep misunderstanding. After that incident these two lovers lives separate until their siblings fallen in love. With this new love story their paths intertwines again.
Two feuding neighbouring families are brought together to celebrate the wedding anniversary of Vishnupratap Singh (Vikram Gokhale) and his wife (Farida Jalal), much to the dislike of Rudra Pratap (Sharad Kapoor). During this get together Abhayendra Singh (Fardeen Khan) falls in love with Mangala Solanki (Richa Pallod). Abhayendra comes to know of the background of the two families' feud, and makes attempts to reconcile the two families - with disastrous results.
Mansi, played by Aruna Irani the elder sister has to take up professional singing after her father's death and to support the family. The film focuses mainly on the female characters and traces how the younger sibling Bansi played by Shabana Azmi regains her identity.
Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore).
We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…
Duped and sold to a brothel, a young woman fearlessly reclaims her power, using underworld connections to preside over the world she was once a pawn in.
Two men from South Asia meet on a New York subway train. One is seeking the American dream and in the process has abandoned his family and culture. The other, now disillusioned by material dreams of success, yearns for meaning and memories from his childhood. Prashant Bhargava’s award-winning short film was described as “an elegant and poetic evocation of immigrant angst, memory and haunted spirituality” by the Village Voice.
A policeman adopts the son of a bandit. A misunderstanding leads the officer's own biological son to believe he is the bandit's son and he takes up a secret life of crime; meanwhile, the adopted son becomes an officer of the law.
A tale of near Biblical proportions, telling the story of Dayavan, a heroic do-gooder who dedicates his life to helping those less fortunate then himself.
A cop leaves the police force due to undue criticism. He tries to live a quiet life with his family, but the anti-social elements force him to re-join the police force.
A successful author (Ali Fazal) pretends to be a geek in order to impress his girlfriend's (Anisa) brother (Gulshan Grover), because he expects his brother-in-law to be intelligent.Anyway, while the hero's almost on the verge of winning over his girl's bhaiya, his rowdie lookalike shows up, adding to the drama. That's not all. Even the bhaiya has a lookalike which doubles the drama and confusion.
Mumbai-based Ramvilas Sharma has just broken-up with Sanjana Mahadik, a former bar dancer, with whom he had a six month relationship. His private-detective friend, Nandan Pandey, attempts to counsel him over this break-up, and even encourages him to meet other women. Ramvilas does meet with a homeless woman, Koel Datta, befriends her, and even brings her to spend the night in his flat but will be interrupted when Sanjana will come to take her belongings back and will leave a bag full of cash. Everyone will find their respective lives turned upside when they will be 'interrogated' by a suave French-speaking crook, Lucky Sardana, after the bag goes missing.
At the H.W.L.S HEAD OFFICE in LONDON, the egotistical maniac Joy Mittal the CEO of the company, decides to repair his scandal-ridden work record and prove to himself and his partners that he can, indeed, care for his family and be an able leader in an economic meltdown that effects everyone. He is responsible of firing almost half the employees in London and implement major cut-downs. In the turmoil that follows he decides to sack the manager RUBY, a 29-year-old seductress with whom he has been having an affair that affects his personal as well as his professional life. After a day of ultimate stress Joy finally decides to finish off all his paperwork and stand proud in front of his partners for a board meeting that will definitely change his life. Almost after 5 hours of the firing incident, the final two hours in the office is a stressful event.
This is a film about how war settles in the bodies of the people who are forced to experience it directly. And then, thousands of miles away and dozens of years ahead, how, like a virus, it can still infect other human beings.
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
Gianni Morandi tells the story behind the scenes of the Ariston Theater, revealing the great work and the most secret and unpublished emotions of the Sanremo Festival.
It's all about an anonymous little gray book originating from sexually advanced Paris. The book doesn't look like much, but shouldn't be judged by its cover. Wherever this book goes, something will happen. And for sure, this book goes around.
Everything is different but nothing has changed. A trip through a sunken maze of memories and dreams.
Carlo Roma and his foster-son, Toma, and their friend Beppo, are living a happy fisherman's life in San Francisco until Carlo's widowed sister-in-law, Stella, shows up with her brat-son, Rudolph, and takes over. Poor Toma gets his feelings hurt and the idea he "isn't wanted" and runs away
Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels. As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them.
The adventure of a boy who has used the last water of the world on his way to find water. Dry Nightmare is a work that deals with the terrible problem that water waste will create in the world and in life today, with a different approach. In the movie, our character leaves the water running while brushing his teeth, and this causes him to run out of the last remaining water in the world. This is taken as a metaphor emphasizing how important the effect of water wastage at the individual level is.
Glenn Gridffin, his brother Hank and Samuel Robish have escaped from prison. They choose Dan Hilliard's house, of all places, as a safe house. The reason: nobody would think of looking for the three gangsters in such a respectable house where middle-class people live. However, the entire family - father Dan, wife Ellinor, daughter Cindy and son Ralphie - are terrified. They are trapped in their own home. Meanwhile, the gangsters give the order for everything to go back to normal. Dan goes to the office, daughter Cindy goes to the rendezvous. Of course, they are not allowed to say anything, otherwise another family member will no longer be alive. The atmosphere in the Hilliard house is slowly but surely coming to a head...