Mensaje interrumpido(2020)

Enemy Image(en)

An examination of the how television news in the US has covered war from Vietnam to the present day

It's Hard Being Loved by Jerks(fr)

The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.

The Killing of a Journalist(sk)

A young investigative journalist and his fiancée are brutally murdered in their home in Slovakia. Their deaths inspire the biggest protests in Slovakia since the fall of communism. The story takes an unexpected turn when a source leaks the secret murder case file to the murdered journalist’s colleagues. It includes the computers and encrypted communications of the assassination’s alleged mastermind, a businessman closely connected to the country’s ruling party. Trawling these encrypted messages, journalists discover that their country has been captured by corrupt oligarchs, judges and law enforcement officials. A reckoning awaits.

The Meeting of President Taft and President Díaz at El Paso, Texas(es)

The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.

Die Meute(de)

Oaxaca - Zwischen Rebellion und Utopie(en)

Una Obra del Pueblo(es)

Takeda(es)

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

Muerte es Vida (Death is Life)(en)

Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?

Thunder Over Mexico(en)

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Little Birds(es)

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.

WMD: Weapons of Mass Deception(en)

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

The Valley of the Jato(en)

In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.

Love, Pascual(es)

The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.

The Jump(es)

Luis Rivera, the best Mexican high jumper of the history, seeks to inspire a generation by qualifying for the Olympic Games as he finishes his doctorate studies. Injuries threaten his dream while his younger brothers follow in his path and example.

Old Thieves: The Legend of Artegio(es)

Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.

The Agency(es)

A look at the work of a group of reporters and photographers from EFE, a Spanish news agency founded in 1939, which is celebrating its eightieth anniversary. A journey around the world —Mexico, Congo, USA, Libya, France, Spain, China and the Chilean Patagonia— with the purpose of honoring all people who work in the shadows, tirelessly seeking the truth in the era of social networks and fake news.

My Life Inside(es)

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Chavela(es)

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Control Room(ar)

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.