Indisciplinado. Historia de un proyecto político

The Lost World Cup(it)

The film reconstructs the mysterious story of the 1942 Patagonia World Soccer championship, never acknowledged by the official sports organizations, and which for decades have remained shrouded in legend without the winner ever being known.

The Disappeared(en)

"The Disappeared" relives the horrors of Argentina's Dirty War (1976-83) through the experience of Horacio Pietragalla, a young man raised by the maid of the officer who kidnapped him after the military brutally murdered his parents. The film follows Horacio as he reconstructs the cause for which his real parents gave their lives, and, through this search, reclaims his true identity. This personal journey internalizes the tragedy that ravaged the country for seven years and exposes polarized views on state-driven terrorism in groundbreaking interviews with top military officials, concentration camp victims, human rights activists, journalists who covered the events, and members of Horacio's surrogate and biological families.

Argentina, 1985(es)

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

The Death of Jaime Roldós(es)

A portrait of Jaime Roldos, Ecuador's first democratically elected president, who died with his family when their plane crashed in the mountains.

Argentina 1978: il Mondiale desaparecido(it)

Liniers, el trazo simple de las cosas(es)

Winter 2007. Two artists from Argentina receive a grant to develop their work in Montreal (Canada). The only catch? They have to share an apartment. In this way filmmaker Franca González and cartoonist Ricardo Siri Liniers come to know each other. From the moment González becomes the roommate of Liniers, a friendship emerges between them and she makes him the proposal of doing a documentary about him. The film starts with an argument to get Liniers permission to chase him with videocameras and ends up becoming one of the most tender portraits ever done of the artist, reflecting the transcendence that ensues from the simple line of his drawings.

Guillermo Vilas: Settling the Score(es)

For more than forty years, Argentinean sportsman Guillermo Vilas, a tennis legend, has tirelessly demanded that the official rankings (1973-78) be revised in order to finally be recognized as the best player in the world. Eduardo Puppo, a sports journalist, making Vilas' demand his own, fought for more than ten years against a powerful sports corporation to prove that Vilas was indeed unfairly displaced from the top of world tennis.

The Mission(en)

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

De la Quadra-Salcedo: El reportero que quisimos ser(es)

¿Qué pasó con Yugoslavia?. El engaño de nuestra vida(es)

La Arquitectura Del Crimen(es)

The Machine Gun and the Bass(pt)

Documentary short film covering two survivors of the argentinian military dictatorship.

Antarctic Dream(es)

In this spectacular real-life adventure, a small team of Argentinean mariners sets sail for Antarctica in a custom-built sailboat. But to get there they and their vessel will have to brave the treacherous Drake Passage, one of the most dangerous bodies of water on Earth.

Social Genocide(es)

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Debt(es)

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

Ciclos Perucha(es)

Good Light, Good Air(ko)

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.

Trabantem až na konec světa(cs)

Para siempre(es)

Felicitas(es)

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?