A short film on throw-away culture and TV
A short film on throw-away culture and TV
1982-01-01
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The Southern Sea Otter was historically abundant along the California coastline until intense hunting pressures reduced their numbers to near-extinction levels. But now the otters are coming back, and with them they bring the potential for drastic change to the modern-day economics and ecology of the Santa Barbara Channel.
Every day our changing climate pushes us closer to an environmental catastrophe, but for most the problem is easy to ignore. David Hallquist, a Vermont utility executive, has made it his mission to take on one of the largest contributors of this global crisis-our electric grid. But when his son Derek tries to tell his father's story, the film is soon derailed by a staggering family secret, one that forces Derek and David to turn their attention toward a much more personal struggle, one that can no longer be ignored. - Written by Aaron Woolf
Sea otters are once again in peril after being brought back from the brink of extinction. An unprecedented number of sea otter deaths have occurred along the California coast in the last three years. Meanwhile, the Fish & Wildlife Services decision to eliminate their No Otter Zone from Southern California waters remains controversial. This fragile species threatened by pollution, infectious diseases, starvation, and competition with fishermen struggles for survival.
Over 90 percent of the available lands in the Greater Chaco region of the Southwest have already been leased for oil and gas extraction. Witness the Indigenous-led work to protect the remaining lands that are untouched by oil and gas, as well as the health and well-being of communities surrounded by these extractive industries.
The creation of the Adirondack Park Agency (APA) in 1971 and the impact it has had on the development of the park over the years. Most of the land within the park is privately owned, yet the Adirondacks remain largely undeveloped.
Dynamite blasts echo through canyons as construction for the southern border threatens flora and fauna for centuries to come.
The cultural roots of coal continue to permeate the rituals of daily life in Appalachia even as its economic power wanes. The journey of a coal miner’s daughter exploring the region’s dreams and myths, untangling the pain and beauty, as her community sits on the brink of massive change.
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
A resilient crop-farmer endeavours to preserve his land, legacy and way of life in the face of Australia’s ongoing ‘big dry’.
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.
This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
Conceição Tavares is one of the most forceful, critical and original voices of Brazilian economic thought. This documentary gives an account of her life and work, while taking stock of more than half a century of a country looking for a future.
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
Native Americans, ranchers, government officials, and environmental activists battle over the yearly slaughter of America's last wild bison, based on fear that migrating animals will transmit the disease brucellosis to cattle. Join a 500-mile spiritual march across Montana led by Lakota elder Rosalie Little Thunder expressing her people's cultural connection to bison, an environmental group engaging in civil disobedience and video activism, and a ranching family caught in the crossfire.
The film discusses the various uses of land for producing food, clothing, and shelter. It explains how different types of land are cultivated for growing crops, raising livestock, and sourcing raw materials for clothing like cotton, wool, and leather. The film also covers the extraction of resources for building materials, such as lumber, clay, stone, and iron ore. Additionally, it touches on the production of plastics and synthetic materials from minerals. The film emphasizes the importance of making wise decisions in land use, balancing agricultural, industrial, and recreational needs, and the necessity of conserving land for its natural beauty and environmental value.
The life and the career of John Muir come to life through this inspiring and beautiful documentary set against the magnificent landscapes of the American West. The Scottish-born naturalist was one of the first nature preservationists in American history, inspiring others through his writing and his advocacy to keep the wilderness wild. Shot in high definition in the spectacular landscapes that shaped Muir - and were, in turn, shaped by his devotion.