Gdud A'liyah(NaN)

The Roots of the Mideast Conflict(en)

DVD #3 of Psalm.83: The Missing Prophecy Revealed, by Bill Salus; The present hostilities experienced in the Middle East between the Arabs and Jews can be traced to a disposition of hatred, originating almost four thousand years ago. In this teaching video, Bill Salus explains how the ancient family feuds between the Middle East patriarchs and matriarchs are the underlying roots of today's Arab-Israeli conflict. Find out what nations were formed from their loins and why their descendants still covet the rich content of father Abraham's unconditional covenant.

You Can't Live Like That(ru)

A film about the sociopolitical condition of the Soviet society at the end of the eighties.

:03 from Gold(en)

The 1972 Olympic men's basketball final, in which Team USA was accorded their first ever loss since the sport was adopted in competition, was one of the most controversial events in history the history of the Games.

My Favorite War(lv)

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

Palestine 1920: The Other Side of the Palestinian Story(ar)

“A land without a people, and a people without a land” is how the relationship between Palestine and the Jewish people was described by Christian writers in the 1800s. And the 20th-century history of the Middle East has largely been written through these eyes. But this film from Al Jazeera Arabic looks at Palestine from a different angle. It hears from historians and witness accounts, and features archive documents that show Palestine as a thriving province of Greater Syria and the Ottoman Empire at the dawn of the 20th century. The evidence suggests that its cities had a developing trade and commercial sector, growing infrastructure, and embryonic culture that would enable it to meet the challenges of the decades ahead. This film is the other side of the Palestinian story.

L'Olivier(fr)

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

The Flood(en)

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

Unknown Territory(de)

Young migrants from Afghanistan, Cameroon, Serbia and Venezuela attend a Swiss integration class where they learn a new language and prepare for employment.

Shadow World(en)

A detailed investigation into the political and economic interests that, since the beginning of the 20th century, have pulled the strings of the arms trade, hidden in the shadows, feeding the shameful corruption of politicians and government officials and promoting a state of permanent war throughout the world, while they cynically asked for a lasting and universal peace.

America Becoming(en)

Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority. The feelings and stories of ordinary people are featured in everyday context in six cities across the county. Interviews with residents of Chicago, Houston, Philadelphia, Miami and several other places probe the changing relationships between newcomers and established residents.

Chaja & Mimi(de)

Chaja Florentin and Mimi Frons have been best friends for 83 years. Born and raised in Berlin, they had to escape from the Nazis to Palestine with their families in 1934. They talk about their complicated relationship with Berlin in a Tel Aviv café where they meet everyday. A film about friendship, homeland and identity.

Take 3(he)

A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?

I Was Born in Mexico, But...(en)

A poetic short featuring the voice of an undocumented young Latina woman who was brought to the U.S. as a child. The film introduces viewers to a personal voice on the immigration debate: DACA, the Dream Act, and other immigration reform, speaking about what it's like to grow up and face an uncertain future as a young undocumented person in America.

Tin Soldiers(no)

A group of young UN soldiers in Lebanon enters service with pro-Israeli views and a naive outlook on war. They go through a radical change of heart as they witness and film the Qana massacre. They secure video evidence indicating that Israel deliberately bombed a UN camp killing 106 refugees.

Bil'in Habibti(en)

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Existir es resistir(es)

In the Shadows(en)

This documentary by Dan Glynn follows the personal story of Jairo, a hard-working Mexican who immigrates to the US in order to find work to support his family back in Mexico. The film looks at current immigration issues in the United States. The story takes a dramatic turn, when Jairo's cousin is arrested by local police putting the entire family in danger of deportation. In the movie we meet numerous people who want to stem the tide of immigration from Mexico as well as people who help those who make the long, arduous journey to new employment in the United States.

1948: Creation & Catastrophe(en)

The shocking story of the establishment of the state of Israel told from the perspective of those who lived through the end of the British Mandate for Palestine in 1948.

The Good Soldier(he)

A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.

I Come From Away: An Immigrant in Maine(en)

An intimate look inside the immigrant community in Portland, Maine, as told by Nyamuon Nguany Machar who arrived as refugee in 1995 and David Zwalita Mota who came as an asylum seeker in 2019.