Lake(2019)

Nose and Tina(en)

The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.

L'homme du lac(fr)

Double M Country(en)

Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.

Aitamaako'tamisskapi Natosi: Before the Sun(en)

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

Our Maternal Home(en)

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

How the Fiddle Flows(en)

How the Fiddle Flows follows Canada's great rivers west along the fur-trading route of the early Europeans. The newcomers introduced the fiddle to the Aboriginal people they intermarried with along the way. A generation later, their mixed-blood offspring would blend European folk tunes with First Nations rhythms to create a rich and distinct musical tradition. From the Gaspé Peninsula, north to Hudson Bay and to the Prairies, How the Fiddle Flows reveals how a distinctive Metis identity and culture were shaped over time. Featuring soaring performances by some of Canada's best known fiddlers and step dancers and narrated by award-winning actress Tantoo Cardinal.

Trick or Treaty?(en)

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

Headdress(en)

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

nîpawistamâsowin : We Will Stand Up(en)

On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.

NiiSoTeWak: Two Bodies, One Heart(en)

NiiSoTeWak means “walking the path together.” Tapwewin and Pawaken are 10-year-old brothers trying to make sense of the world, their family and each other. They’re already grappling with some heady questions about identity. What does it mean to be a twin? What does it mean to be Cree? How do you define yourself when you’re forever linked to someone else? The twins discuss these questions with their two elder brothers — 22-year-old actor Asivak and 20-year-old basketball player Mahiigan — and their parents, Jules and Jake.

Mary Two-Axe Earley: I Am Indian Again(en)

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Women in the Shadows(en)

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Cree Code Talker(en)

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

Cree Hunters of Mistassini(en)

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Lady Warrior(en)

This documentary follows a Cree woman as she takes on the Indian Relay race season, as well as the Canadian authorities in her quest to give Missing and Murdered Indigenous Women a voice.

PaaPaa Chipskwenewh Sibii(fr)

Travelling College(en)

Mistress Madeleine(en)

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.

The Red Dress(en)

Kelly is a Métis man without treaty or hunting rights, struggling to sustain his traditional life. His daughter Theresa longs for a red dress from France that she believes will give her power and strength, as the bear claw once did for her great-grandfather Muskwa. When Theresa escapes an assault and Kelly turns his back on his daughter, he realizes that he must reconnect with his culture in order to make things right. Today, the red dress is a powerful symbol recognizing over 1000 missing and murdered Indigenous women in Canada.

Canada Vignettes: December Lights(en)

Animated film of a traditional Franco-Manitoban tale that resembles the story of the first Christmas.