Double M Country(2023)

Angry Inuk(en)

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Holy Angels(en)

Documentary about the Holy Angels Residential School in Alberta, where hundreds of First Nations children were imprisoned.

Mark of the Hand(en)

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Edward Prince of Wales' Tour of India: Calcutta and Delhi(en)

The future Edward VIII opens a durbar and enjoys a day at the races before inspecting the fire brigade in Calcutta.

Rematriation(en)

Rematriation explores scientific, cultural, economic and sociopolitical perspectives, as citizens fight to protect the last big trees in British Columbia from being felled. The lessons we take away permeate the fabric of Canadian identity.

The Last Mooseskin Boat(en)

This short documentary follows Gabe Etchinelle as builds a mooseskin boat as a tribute to an earlier way of life, where the Shotah Dene people would use a mooseskin boats and transport their families and cargo down mountain rivers to trading settlements throughout the Northwest Territories.

Radical Self Acceptance(en)

We are living in the time of a heteronormative society that antagonizes Queer people for their Being-ness. In Africa, it is believed that we are un-African to Proudly be Our LGBTQIA+ selves. In this short documentary, we share with you researched origins of modern homophobia and queerphobia, while exposing hidden truths about the English bible. The short is a testament to the harmful effects of colonialism and the dangers of religious indoctrination. This film offers audiences the opportunity to question what we have been told to believe is true about queer people.

A Tent on Mars(fr)

Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.

Life of Ivanna(ru)

A sensitive and intimate portrait of Ivanna, a nomadic reindeer herder in the Russian Arctic and mother of five small kids. Ivanna is forced to leave the traditional way of life and emigrate to the city, following her own dreams, due to the quickly deteriorating conditions of life in the tundra. We follow her life for several years.

O Último Kuarup Branco(pt)

The creation of the Xingu Indigenous Park is reassessed by indigenous peoples and anthropologists. Almost 50 years after the initiative, which had the decisive participation of the indigenist brothers Cláudio and Orlando Villas-Bôas, the older indigenous people still have not forgotten the original lands they left behind. Some want to go back to their old origins.

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

The Invention of the Other(pt)

In 2019, the Brazilian government coordinates the largest and riskiest expedition of the last decades into the Amazon rainforest to search for a group of isolated indigenous people in vulnerability and promote their first contact with non-indigenous. Bruno Pereira, who would later be murdered in the same region and turned into an international symbol in favor of the indigenous and the forest, leads the expedition.

Os Arara(pt)

Documentation of the preparations and expeditions of the Frente de Atração Arara da Funai, in the state of Pará, Brazil. With the construction of the Transamazônica, the Arara territory (without contact with the white man) is cut in half, and the Indians react by attacking the workers. Aware that all contact is a creation of dependency, the sertanista Sydney Possuelo, who also reflexively narrates the documentary, leads the expeditions that aim to identify the groups, how many individuals there are, establishing territorial limits to protect the area against invaders and loggers in the region.

Elementa(en)

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

MONTAÑAS(es)

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

Old Barak(en)

Amateur film of fishing and geese-shooting trips by a British party in India.

Amá(en)

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.

Hacking at Leaves(en)

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

No Address(en)

This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.

L’histoire de la Côte-Nord: une histoire commune(fr)