Prescription for Disaster is an in-depth investigation into the symbiotic relationships between the pharmaceutical industry, the FDA, lobbyists, lawmakers, medical schools, and researchers, and the impact this has on consumers and their health care. During this thorough investigation, we take a close look at patented drugs, why they are so readily prescribed by doctors, the role insurance companies and HMO's play in promoting compliance, and the problem of rising health care costs. We will examine the marketing and public relations efforts on behalf of the pharmaceutical companies, including sales reps, medical journals and conferences.
Prescription for Disaster is an in-depth investigation into the symbiotic relationships between the pharmaceutical industry, the FDA, lobbyists, lawmakers, medical schools, and researchers, and the impact this has on consumers and their health care. During this thorough investigation, we take a close look at patented drugs, why they are so readily prescribed by doctors, the role insurance companies and HMO's play in promoting compliance, and the problem of rising health care costs. We will examine the marketing and public relations efforts on behalf of the pharmaceutical companies, including sales reps, medical journals and conferences.
2006-04-21
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At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Dateline's coverage of the lawsuit by Patty Burgus and family against Bennett Braun, director of the Dissociative Disorder's Unit at Rush Presbyterian St. Lukes in Chicago. Oct 1998. This is the story of the foundational works which constitute the current theory of Dissociative Identity Disorder/ Multiple Personality Disorder. This was the first Dissociative Disorder's Unit in the United States. All subsequent units specializing in Multiple Personality Disorder/ Dissociative Identity Disorders have been modeled after it. After having his license suspended in Illinois, Dr. Braun has resumed practice in Butte, Montana. Despite the malpractice payments paid by insurance on his behalf as well, Dr. Kluft remains in practice and continues to give training lectures on the treatment of MPD/DID to large audiences of mental health practitioners.
The 60s equivalent of Reefer Madness and all those other 30s drug exploitation flicks. Apparently, dropping acid leads to stripteases, cat fights, promiscuous sex, playing with kittens, and being convinced your dinner is much larger than it actually is. This is all illustrated in a series of silent sketches accompanied by a droll narrator who seems positively doped out of his mind.
Explores the issues junior high and high schools were facing surrounding teen drug use. Looks at several very integrated public schools and programs being developed in them to prevent drug abuse. Includes the police lecture, the ex-addict, the youth organizer, and the "rap room." Anti-drug program organizers seek students' perspectives and knowledge about drugs. Some nice images of 1970s teens looking very stoned.
Tongue-in-cheek look at 20-something singles clubbing and partying in L.A. Voice-over narration, charts and graphs, and visits to a research laboratory punctuate the story of a single night when groups of friends go out, drink alcohol, take drugs, dance and talk, and look for someone to go home with.
On Valentine's Day, 1993, Caveh Zahedi decided to ingest 5 grams (a very large dose) of hallucinogenic mushrooms. For the first time in his mushroom-taking history, he had an experience of "divine possession," in which he felt that a divine being took possession of his body and spoke through him, in a voice that was not his, and with knowledge that he himself did not possess. He later tried several times to repeat the experience. I WAS POSSESSED BY GOD is the documentary record of one such attempt.
An educational film sponsored and distributed by the Los Angeles-based Narcotic Educational Foundation of America and directed by Gilbert Lasky with financial assistance of the Woman’s Relief Corps targets teachers as well as junior and senior high school students in the war on drugs. Narcotics are classified and effects of opiates, stimulants, and barbiturates are summarized and dramatized
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
With more people taking a wider range of drugs than ever before, Radio 1 DJ B. Traits meets users and dealers to find out how much they really know about their drugs - and whether they're safe. After a decade working in some of the biggest clubs in the world, she worries that many people have no idea what they're taking, and are being sold drugs that aren't what they think.
Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.
Joris Ivens and wife Marceline Loridan took their cameras into Pharmacy No. 3 in Shanghai, which in addition to dispensing drugs manages an outreach program of medical services, an extension of the pharmacy’s in-house medical care center.
Since the 1970s, Switzerland has been characterized by a sometimes controversial, sometimes innovative drug policy that has become a model for other countries around the world. Using archive footage and interviews with contemporary witnesses - politicians, social workers and former drug addicts - the film reconstructs key moments in this turbulent chapter of national politics.
An investigation on the death of a 18-year-old boy and its cover-up by the police.
This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.