Sou Carnaval de São Salvador(2019)

A Vida é da Cor que Pintamos(pt)

Perpetuating art was the main objective in the life of visual artist, filmmaker and cultural manager Chico Liberato, who died in January, 2023. A pioneer of animation cinema in Bahia, he left a legacy for the area, and even in his family.

É d'Oxum: a Força que Mora N'água(pt)

Memória em Verde e Rosa(pt)

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Dr. Ocride(pt)

Porto de Origem(pt)

Nao ’t Zuuje(nl)

Cosmovisions(pt)

In Southern Bahia, seven indigenous women invite to reflection, sharing their mythology, ancestry and paths to living well.

A Última Vanguarda(pt)

70 years ago, a visionary management in education and culture as a political strategy for the dissemination and development of Bahia gave rise to an artistic vanguard that still impacts Brazilian culture today.

É o Boi(pt)

"É o Boi" is a documentary that narrates the origins, portrays the present and discusses the perspectives of carnival in the city of Porto Ferreira/SP. Celebrating a tradition that already is already 90 years old, the film is mainly made up of images taken during the Porto Ferreira's carnival and interviews with people who fight daily to keep this unique and at the same time typically Brazilian cultural manifestation alive. Made over almost a decade, "É o Boi" also portrays critical moments of this carnival in the countryside of São Paulo, including disagreements with public authorities that almost led to the carnival being banned and the impacts of the Covid-19 pandemic on the organization of celebrations.

The Miracle of Candeal(es)

The story of the Candeal favela in Salvador de Bahia, Brazil, where musician Carlinhos Brown carries out social and cultural initiatives that protect and enrich the lives of its inhabitants every day.

Dorival Caymmi - Um Homem de Afetos(pt)

An irresistible journey through the universe of the singer and composer that revolutionized the song in Brazil and influenced generations of musicians, paving the way for movements such as Bossa Nova and Tropicália.

O Carnaval é de Pelé(pt)

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

O Cristo de Vitória da Conquista(pt)

Deixa O Samba Me Levar(pt)

Ebony Goddess: Queen of Ilê Aiyê(en)

Ebony Goddess: Queen of Ilê Aiyê follows three women competing to be the carnival queen of Ilê Aiyê, a prominent and controversial Afro-Brazilian group with an all-black membership. The selection is based on Afro-centric notions of beauty, in counterpoint to prevailing standards of beauty in Brazil, a country famous for slim supermodels and plastic surgery. Contestants for the title of Ebony Goddess dress in flowing African-style garments, gracefully performing traditional Afro-Brazilian dances to songs praising the beauty of black women.

Batatinha, Poeta do Samba(pt)

A portrayal of the life of one of the most important samba musicians in Brazil, Bahian sambista Oscar da Penha, popularly known as Batatinha (1924 -1997). Through memories of their father, his nine children share their perspectives, as well as interviews with family, friends and musicians, to tell the story of Batatinha’s life, history and work.

Arthur et les confettis(fr)

Nossa Escola de Samba(pt)

A year in the life of a samba school, from the first rehearsals to the parade on the avenue.

Testament of the Donkey(en)

Documentary exploring the Carnaval de Laza, its ancient traditions and modern practitioners.

The Man Who Drank the Universe(en)

It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.