O Carnaval é de Pelé

Resgatando a qualidade(pt)

Pesado: Que som é esse que vem de Pernambuco?(pt)

Documentary about the heavy rock scene in Pernambuco.

Domingo de Chuva(pt)

It portrays a Sunday in a typically Brazilian home, where food serves as a link to family ties, guided by conversations of all kinds, ranging from memories to gossip.

Women at the stake(pt)

"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.

Laços(pt)

Así Pasó(pt)

Helena: Dom de Educar(pt)

L'età Sperimentale(it)

Almas Silenciosas(pt)

A Guerra do Pente(pt)

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

No Meio de Campo(pt)

João Heleno dos Brito(pt)

Little Sisters(en)

In Lisbon’s residence of The Little Sisters of the Poor Congregation, a group of 7 nuns takes care of 75 elderly people, helping them in their final years.

Santa Rita de Sampa(pt)

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.

Craiova Versus Craiova(ro)

Music for now!(pt)

The film is about the vinyl record culture and presents a panel of stories, searches, collecting, in various locations in Rio de Janeiro.

O Terceirão dos Lobos(pt)

Azougue Nazareth(pt)

No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.

Alto das Flores(pt)

Crenças no ensino(pt)