The Great White Way(1924)

André van Duin - Ja Hoor... Daar Is Ie Weer!(nl)

Adieu Berthe(fr)

The Grand Parade(en)

No one suffered more magnificently in the early-talkie era than the inimitable Helen Twelvetrees. In Grand Parade, the actress is cast as Molly, the sweetheart of minstrel-show performer Jack Kelly. Rising to the top of his profession, Kelly plummets to the bottom thanks to his fondness for intoxicating beverages. Molly nurses and coddles Kelly back to health, giving nary a thought for her own comfort or happiness.

Aloma of the South Seas(en)

A young South Seas native boy is sent to the U.S. for his education. He returns to his island after his father dies to try to stop a revolution.

No Good for Anything(en)

A bungling bumpkin fails at a number of jobs in this slapstick comedy - before he finds his true calling.

Monty Comes Back(en)

After fighting with his boss and losing his job, Monty, a semi-successful thespian, flees back home to live with his parents under false pretenses. His old friends and family are left to deal with his inflated ego, while he comes to terms with the fact he isn't as 'great' as he may believe.

Seventeen(en)

Seventeen year old William Sylvanus Baxter has fallen madly in love with young coquette, Lola Pratt. After spending all of his money on the fickle girl, she runs off with an older man. William now heartbroken, contemplates suicide, until a friend from childhood, May Parcher, pays a visit and William decides to fall in love with her.

The Third Degree(en)

An expose of the methods used by a police-department to extract a confession from a suspect, regardless of innocence or guilt, and the effect and consequences on a family when an innocent member breaks under the interrogation methods and confesses to a crime he did not commit.

Diable d'homme(fr)

Ladies Must Dress(en)

Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.

Sadie Love(en)

Society miss Sadie Love has just wed Prince Luigi Pallavincini when she gets a phone call from Jimmie Wakely, a suitor she has not seen in a year. She allows him to come by and declare his love but doesn't bother telling him she has just gotten married. Without giving it much thought, she decides she likes Wakely better and runs off with him.

Vanaisa(et)

Wonderful and Loved by All(sv)

Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.

Frédéric(fr)

Forever(en)

Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love revives, but Peter is sentenced to life in prison for an accidental killing. Mary comes to him in dreams and they are able to live out their romance in a dream world.

Les Filles(fr)

The Clemenceau Case(en)

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

La belle Russe(en)

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

Lure of Ambition(en)

Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)

Heart and Soul(en)

Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).