Movie: The Aviator
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In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.
The Girl in the Limousine(en)
Tony and Freddie, who have been rivals all their lives, vie for the hand in marriage of their childhood sweetheart. Big Freddie has the upper hand when Tony gets himself kidnapped by a ring of muggers whose M.O. is to have one of their members dress up as a woman to lure men into the back seat of their limousine, where they are beaten up and robbed.
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Seventeen(en)
Seventeen year old William Sylvanus Baxter has fallen madly in love with young coquette, Lola Pratt. After spending all of his money on the fickle girl, she runs off with an older man. William now heartbroken, contemplates suicide, until a friend from childhood, May Parcher, pays a visit and William decides to fall in love with her.
Little Red Decides(en)
Upon learning that the parents of "Little Red" have died, the cowboys of Colonel Ferdinand Aliso's ranch adopt the boy. Parson Jones and his church committee protest that the child should be brought up in more refined surroundings, but the cowboys, particularly Duck Sing, Aliso's Chinese cook, are so enamored of Little Red that they donate their poker money to the church to placate the congregation. After Little Red catches pneumonia and nearly dies, however, Dr. Kirk insists that the boy either live with the minister or acquire a mother through the marriage of one of the cowboys. While Little Red is recuperating at the parson's home, ranch hand Tom Gilroy courts the only marriageable women in town -- a widow and two spinsters -- but much to his relief, they all turn him down. In the end, Duck Sing and the colonel join forces and legally adopt him.
Heaven on Earth(en)
Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.
Billions(en)
Princess Triloff, an emigrée from Czarist Russia, escapes to America where she becomes a patron of the arts. She falls in love with the verses of impoverished poet Owen Carey and becomes his anonymous benefactor. When Owen inherits a fortune from his rich Uncle Krakerfeller, he assumes his uncle's identity and confers his own upon an impoverished friend, Frank Manners. At a resort, Owen meets the princess and falls in love with her, but is chagrined to discover that she is enamored with Manners. The princess finally discovers Owen's real identity and the two fall in love.
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Sadie Love(en)
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Heart and Soul(en)
Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).
Camille(en)
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Lure of Ambition(en)
Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)
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