Celebrating the 100th anniversary of the Ballets Russes, Sadler’s Wells commissioned four of today’s leading and acclaimed choreographers to create one work each honouring the legacy of impresario Sergei Diaghilev. IN THE SPIRIT OF DIAGHILEV features Sidi Larbi Cherkaoui’s Faun, Russell Maliphant’s AfterLight (Part One), Wayne McGregor’s Dyad 1909 and the controversial Eternal Damnation to Sancho and Sanchez by Javier de Frutos. Specially filmed interview content offer viewers the unique opportunity to take a look behind the scenes at the works in rehearsal, as the collaborators share their thoughts on the enduring influence of Diaghilev and the remarkable collaborative spirit of the Ballets Russes. The performances involve collaborations with artists and filmmakers Jane and Louise Wilson, acclaimed composer Nitin Sawhney and costumes by leading fashion designer Hussein Chalayan.
Celebrating the 100th anniversary of the Ballets Russes, Sadler’s Wells commissioned four of today’s leading and acclaimed choreographers to create one work each honouring the legacy of impresario Sergei Diaghilev. IN THE SPIRIT OF DIAGHILEV features Sidi Larbi Cherkaoui’s Faun, Russell Maliphant’s AfterLight (Part One), Wayne McGregor’s Dyad 1909 and the controversial Eternal Damnation to Sancho and Sanchez by Javier de Frutos. Specially filmed interview content offer viewers the unique opportunity to take a look behind the scenes at the works in rehearsal, as the collaborators share their thoughts on the enduring influence of Diaghilev and the remarkable collaborative spirit of the Ballets Russes. The performances involve collaborations with artists and filmmakers Jane and Louise Wilson, acclaimed composer Nitin Sawhney and costumes by leading fashion designer Hussein Chalayan.
2009-12-18
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The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
Tchaikovsky's Swan Lake, a ballet in three acts, is present by the Ballet Company of the National Opera of Ukraine, with music provided by the Orchestra of the National Opera of Ukraine, conducted by Mykola Dyadura
A partnership between Matthew Bourne's New Adventures and Magic Me, the UK's leading intergenerational arts charity, Moving in Time is a heartwarming short dance film based on stories told by residents of St. Fillan's Care Home, many of whom are living with dementia.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
Two playwrights and a former burlesque queen travel to Louisiana to research a musical they're planning on a local Southern hero.
The Wiener Staatsballett performs Rudolf Nureyev's world-famous choreography of "The Nutcracker." Recorded live at the Vienna State Opera, 7 October 2012.
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.
Die Schachtel (The Box), 1968. 35mm film transfer to videotape, black-and-white, sound; 29 minutes.
Matthew Bourne choreographs this version of Tchaikovsky's ballet performed at Sadler's Wells Theatre. Bourne sets the first part of the story in 1890, the year in which Tchaikovsky completed his version of Charles Perrault's classic fairy tale, with Beauty pricking herself on the poisoned rose in 1911 and awakening 100 years later in the contemporary world.
Sergei Prokofiev's setting of the fairy tale "Cinderella" premiered at Moscow's Bolshoi Theater in 1945. In 1986, Rudolf Nureyev, then ballet director of the Paris Opera, choreographed the ballet anew and transposed the story into a private cinema, with sets reminiscent of Fritz Lang's "Metropolis." ARTE shows the Paris Opera performance from December 31, 2018.
The classic Mariinsky (Kirov) production of the greatest of all ballets. Filmed in the imperial splendor of the Mariinsky Theatre, St Petersburg. Starring Ulyana Lopatkina, Danila Korsuntsev and the breathtaking Mariinsky corps de ballet. Conducted by the great Russian maestro Valery Gergiev.
"Dancing is sculpting in time." Diotima captures the fluid grace of two people sculpting time through dance, in a continuous one-take shot around Indy Simin's "Echt in Vorm." Their movements inside, around, and upon the sculpture reveal a simple unity, where shapes, dancers, and their environment are perpetually in motion, blending into an inseparable, seamless harmony of a never-ending dance.
Matthew Bourne’s Swan Lake comes to cinemas with a fresh look for the 21st century and is ‘as bold and beautiful as ever’ (★★★★★ Telegraph). This thrilling, audacious and witty production is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Filmed Live at Sadler's Wells in January 2019.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
A photographer is murdered just outside of where a college dance is being held. The body is discovered by Lee Watson, but promptly disappears, as it's whisked around the campus by an ex-con night watchman. However, he is not the killer, and Freddie, Betty, Dodie, and Lee set out to find the culprit, who managed to put a big damper on the big dance.
Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.