Two Basilicas(2018)

Frenel(en)

A Short film about a contemporary milliner in NYC.

Encierro de toros(es)

Cricket(en)

Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.

The Illusion(es)

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

Marjoe(en)

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

World of Plenty(en)

An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. The film is then divided into three parts: "Food - As It Was", "Food - As It Is" and "Food - As It Might Be".

Daybreak Express(en)

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

New Horizons(en)

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Louis Kahn's Tiger City(en)

Art historian and filmmaker Sundaram Tagore travels in the footsteps of Louis Kahn to discover how the famed American architect built a daringly modern and monumental parliamentary complex in war-torn Bangladesh.

Luc Durand Leaving Delhi(en)

A portrait of the Canadian architect Luc Durand (1929 – 2018), who, after studying with Eugène Beaudoin in Switzerland, began his career in India. This period would be decisive for his career and would influence many of the projects he designed in Quebec, including the Quebec Pavilion at Expo 67, Place Dupuis, and the Olympic Village for the 1976 Olympic Games. Durand then decided to return to his roots in 2012, traveling from Montreal to Geneva, from New Delhi to Chandigarh. A portrait of an eminent figure in Quebec architecture.

Have We Met Before?(en)

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A Slice of Lynch(en)

David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.

The Puppeteer(en)

The Puppeteer is a powerful, moving glimpse into the art of puppetry and the passion of a brilliant artist. The film treats viewers to Igor's street corner magic and following a dramatic turn of events, leaves us to reflect on life, art and the pursuit of dreams.

in retrospect(de)

Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.

Their Eyes(en)

How does a machine learn to read the world? Testimonies and screen recordings introduce the experience of online micro-workers from the Global South: their job is to teach the AI of self-driving cars to navigate the streets of the Global North.

In Memoriam(en)

In the United States, there is an active shooter incident every 12 days. In Memoriam shows the wrenching perspective of wounded survivors, grieving relatives, and heroes of the horrific attacks at the Las Vegas Route 91 Harvest Music Festival, the Sutherland Springs Baptist Church in Texas, and the Marjory Stoneman Douglas High School in Parkland, Florida.

The Birds Changed Names And The World Turned Into Ice(es)

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

Veneno(es)

Perfect Image?(en)

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.