That cartel guy wants to buy the Terraza family's ranch, but they don't want to sell. Can they hold out till their tough-guy older brother comes home to take charge of this situation?
After washing his hands, Hu Bayi helped his friend Uncle Ming go to the South China Sea to salvage the pearls. Unexpectedly, he encountered a shipwreck and fell to the bottom of the sea, but accidentally found a thousand-year-old ruins of an ancient country that sank at the bottom of the sea. They went through many hardships and dangers at the bottom of the sea, and finally united to defeat the deep-sea beasts, and cleverly used the equipment in the ruins to escape.
Byron and Nina, a young African American couple, are driving from Chicago to Los Angeles, where Nina plans to start college, when they are forced to stop in a small, desert place just this side of a ghost town. Unaccustomed to confronting racism and bigotry on the scale preserved in this rural anachronism, Byron's confrontational response to slurs, epithets and threats quickly leads to a fight for survival -- and the Chicago couple is alone and outnumbered.
After Lisa's brother mysteriously dies, she and her college friends go to her family home for answers. They are shocked to discover that his killer was non-other than the Christmas demon, Krampus.
An emblematic figure in the defense of Berber culture, Mouloud Mammeri (1917-1989) experienced numerous confrontations with the authorities in Algeria, including the suspension in 1973 of the teaching of Berber at university and the ban of the conference he was to deliver on March 10, 1980 at the University of Tizi Ouzou on ancient Kabyle poetry... which will be the detonator of the powerful and harshly repressed cultural demands movement of April 1980, also called the Berber Spring. Mouloud Mammeri is one of the "historians" of French-speaking Algerian literature from the middle of the last century who, through his pen, gave back the soul to a country by giving it back its voice.
In the heart of Saigon, there's a place where promises are still written in blood.
2023 marked the thirtieth anniversary of Maroun Baghdadi’s sudden and tragic death. Maroun was a Lebanese filmmaker who wrote and directed films during the Lebanese civil war and contributed to documentary and fiction filmmaking from 1973 up until his death in 1993. In this film, Feyrouz Serhal embarks on a day trip in Beirut and navigates the city that profoundly shaped Maroun’s journey in life and cinema. Here she encounters individuals who were close to him and who shared his experiences. And as she traverses Maroun’s life and career, the social and political backdrop moves to the foreground. The film reflects on the last fifty years of the history of the country from a present standpoint. Through Maroun’s story, we perceive how cinema can, beautifully and dramatically, portray our stories and discourse our life events..
This fascinating made-for-cable documentary looks at what movies were screened at the White House over the past century, what each president's favorite movies and genres were, how often they watched, and who they watched with.
A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.
This is the independent film history of Pink Floyd. The controversial twists and turns of the Floyd story is told in a unique series of interviews featuring Roger Waters, David Gilmour, Nick Mason and the late Richard Wright. The recollections of the band are compared and contrasted the views of the insiders who worked with Pink Floyd in the studio and on the road.
Truck driver Teddy's late night stop at a gas station takes a dark turn when he meets the mysterious hooker Katerina, leading to unexpected consequences.
An unlucky Birthday boy must fight for his life against a masked psychopath.
SPHINX ON THE SEINE is a film poem: the beginning of a metaphysical journey, musing on a series of brief, but enigmatic images taken from around the world. These images follow one after the other, but geographically span thousands of miles and large passages of time between each cut. Notions of time, space, and memory collide within a visual fabric of abstractions, landscapes, textures, superimpositions and graphic forms, to suggest the first moments of dream-sleep.
A window cleaner fancies a sausage roll, but all is not well in the sausage roll factory.