2016-01-22
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How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.
On June 1st, 2019, around 11:30pm, the shoot which represents a turning point in the federal republic falls. In the hessian small town Wolfhagen-Istha, the district president of Kassel, Walter Lübcke, is murdered during this night, while, just a few meters away, the annual carnival is putting the locals into a festive mood. It is DNA-evidence on the clothes of Walter Lübcke which leads the investigators on June 15th, 2019, to his presumptive murderer: Stephan Ernst. The previously convicted right-wing extremist Ernst gets arrested by a SEK unit in Kassel. A first background check reveals: Stephan Ernst was known to the security authorities, but they did not have him on their radar for six years. Now he is back. And a person is dead. The docu-drama “Schuss in der Nacht” („Shoot in the dark“) tells emotionally, and simultaneously factually, how the deadly attack on Lübcke came to be. It tells about the first far-right motivated murder of a politician since the era of national socialism.
From the inner workings of the RAF. Former RAF-member Peter-Jürgen Boock reveal the many secrets and myths about the Baader-Meinhof gang a.k.a. RAF - Rote Armee Fraktion.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
One journalist described it as a chance "to see justice catch up with evil." On November 20, 1945, the twenty-two surviving representatives of the Nazi elite stood before an international military tribunal at the Palace of Justice in Nuremberg, Germany; they were charged with the systematic murder of millions of people. The ensuing trial pitted U.S. chief prosecutor and Supreme Court judge Robert Jackson against Hermann Göring, the former head of the Nazi air force, whom Adolf Hitler had once named to be his successor. Jackson hoped that the trial would make a statement that crimes against humanity would never again go unpunished. Proving the guilt of the defendants, however, was more difficult than Jackson anticipated. This American Experience production draws upon rare archival material and eyewitness accounts to recreate the dramatic tribunal that defines trial procedure for state criminals to this day.
During the Nazi regime, there was widespread persecution of homosexual men, which started in 1871 with the Paragraph 175 of the German Penal Code. Thousands were murdered in concentration camps. This powerful and disturbing documentary, narrated by Rupert Everett, presents for the first time the largely untold testimonies of some of those who survived.
The documentary of the Nuremberg War Trials of 21 Nazi dignitaries held after World War II.
Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
Documentary about the victorious German national football team - called "Die Mannschaft" - and their journey to the 2014 FIFA World Cup in Brazil.
Chaja Florentin and Mimi Frons have been best friends for 83 years. Born and raised in Berlin, they had to escape from the Nazis to Palestine with their families in 1934. They talk about their complicated relationship with Berlin in a Tel Aviv café where they meet everyday. A film about friendship, homeland and identity.
How could a German Wehrmacht soldier become a celebrated soccer idol of the Britons in the post-war period? The documentary by Radio Bremen shows the moving life story of the soccer star of the 1950s in a torn Europe and how an enemy became a friend. With his legendary appearance in the English Cup Final 1956, in which he played until the end despite a broken neck, Bert Trautmann set up a memorial for himself in the history of sport. Already in the same year, he is chosen as England’s footballer of the year, and by his club Manchester City even as best player of all times. Bernhard “Bert” Trautmann is one of the most popular and best-known soccer players in England.
It was a fateful expedition into the unknown. 50.000 children marched along the banks of the Rhine and the Loire Rivers dressed in rags, dragged themselves barefoot across the snow-covered Alps. They reached the shores of the Mediterranean in a state of exhaustion, and were loaded onto shady ships and ended up as slaves at North African markets. The film snatches the stirring fate of these children from the realm of the forgotten and gives them back their dignity on the pages of history.
Drawing inspiration from his personal encounter with the Italian refugee child Giovanna during World War II, Markus Imhoof tells how refugees and migrants are treated today: on the Mediterranean Sea, in Lebanon, in Italy, in Germany and in Switzerland.