IMAGINERO is an ethnobiography of Hermogenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermogenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary. Devout, austere and dedicated to craftsmanship, he can make anything from religious figures carved from cactus wood to a working harmonium. Inspired by a trip to Buenos Aires to advocate for land rights, Hermogenes has labored to replicate the style of the capital's grand cathedral and shrine to the Virgin with resourcefulness and skill.
IMAGINERO is an ethnobiography of Hermogenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermogenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary. Devout, austere and dedicated to craftsmanship, he can make anything from religious figures carved from cactus wood to a working harmonium. Inspired by a trip to Buenos Aires to advocate for land rights, Hermogenes has labored to replicate the style of the capital's grand cathedral and shrine to the Virgin with resourcefulness and skill.
1969-01-30
8
The naive sailor Ron arrives in Bahia to visit the famous Água dos Meninos street market. There, however, he is passed behind by the prostitute Maria, lover of the bandit Chico Diabo, who stabs him. He, however, can't forget her.
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
"THE WORST NIGHTMARE RESTS WHERE NOT EXPECTED" After being released from a mental institution, Milla is taken to her new home by her husband Gregor and their daughter Madleine. As they settle in the new house, Milla experiences a series of events, that may be supernatural or in her head. The key to this phenomenons are the holes in the wall, that keep constantly staring at her. Somehow she feels watched through the holes, that appear to breathe and replicate through the house - although Milla doesn't witness a ghost, she feels it. It tries to remind her of something long forgotten. As Milla's broken mind made her vulnerable and susceptible to whatever ghosts may haunt her house, it becomes more and more difficult, to say what is alive and what is an echo. In the end Milla finds out, that the ghosts are a manifestation of her pain, that has built the home she lives in.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
Frank Wagner goes deeper undercover to infiltrate Europe's most dangerous Mafia, the Russian-est, consisting of ex - KGB officers.
Traumatized. Immobilized. Stigmatized. Families reveal the struggles, hopes and fears that arise from raising young children with Bipolar Mood Disorder. Shot over the course of 12 months, the film focuses on five sets of parents and how they handle the unique challenges of caring for their bipolar children in the shadow of depression, violence and the threat of suicide.
After losing her husband to death following a troubled marriage, a woman unexpectedly travels back to the moment before their first meeting, allowing them to reconnect and rekindle their romance.
The Sultan is not a very happy man. He charges his royal jester to make him laugh before sunrise or die.
Four forty-somethings each mired in some sort of mid life malaise reunite their 90's indie rock band.
Documentary on the Belgian comic book series.
Four harried housewives plan a weekend spa getaway but end up stranded in the wilderness when their plane goes down.
A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.
XVIII century. Moldova under Turkish yoke. The local nobility collaborates with the enslavers. Throughout the district in Moldova, the fame of a detachment of haiduks under the leadership of Gruya thundered, instilling fear in the lords and boyars. But Gruya was killed. Imagine the surprise of the authorities when they learned that a new Gruya had appeared and was preparing revenge.
A couple fall in love and get married, but as soon as they are hitched, things begin to unravel. They discover each other's dark secrets and begin to realise that nothing is as it seems when it comes to their partners.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.
Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.
The words of the women and the rhythm of their lives in the seclusion of family compounds suggests both the satisfying and the limiting aspects of a woman's role in a rural Afghan community. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on women. The film and accompanying instructor notes examine the economic, political, religious, and educational status of women, their legal and customary rights, and the degree of change in their actual and perceived roles.
Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.
At a 2005 Carnival night, something mysterious happens at Porto Formoso bay, leaving the fishing boats wrecked. Fishermen decide to build bigger boats, but at the small village harbor it is impossible to deck them. They demand the construction of a new harbor, but many inhabitants are opposed due to a Castle ruins that lay there. If to some residents ruins look worthless, for others they are the village soul and future, as a lot of tourists would like to visit them...While the landscape transforms, we follow the Director voice through the story of the last seven years of this community.
Amanar Tamasheq parts from the exciting adventure of the director on a trip with the Tuaregs rebels in the desert of Mali, to convert the camera into the most powerful weapon. The terrible history of this people, always under threat, is built through their own words in a text that, from their own statements reworked, overlaps in the form of subtitles to images. These, far in the highest degree of language that normally tells the violent, they gain political power and radical rarely seen.
With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.
Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.
A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.
A documentary that invites us to discover the strange path led by the explorer-ethnographer Marquis de Wavrin who, in the 1920s and 1930s, made ethnographic films in several countries of Latin America.
A sensory record of the relationships of affinity and enmity with fire in the conservation of the Cerrado biome. In the company of local residents hired to act as brigadiers and, more recently, as management agents, the short film explores the affections established with fire in the midst of combat pyrophobias and management pyrophilias. In addition to documenting fire fighting and manipulation techniques, the cinematographic experiment points to a more than human visual anthropology, where environmental forces such as heat, vegetation and wind make up an alterity whose condition remains ambiguous.
Between Africa and the catalonian Penedés stands the distance of a videocamera. A cut. What is what, where are we, where did the songs we sang while we worked go, where is the group, the colective, the community?
A personal biography of the leader of the PCP (Portuguese Communist Party) seen through the eyes of those who were close to him and those who studied his trajectory and thought.
23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.
A documentary-feature film mix detailing the life of famous German dadaist Kurt Schwitters.