Movie: The PSA Project

  • HomePage

  • Overview

    The PSA Project is a series of 15 videos that speak out against the U.S. occupation of Iraq and the act of war.

  • Release Date

    2005-04-09

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

Similar Movies

Feeler
75%

Feeler(en)

2016-06-27

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Animals Under Anaesthesia: Speculations on the Dreamlife of Beasts
0%

Animals Under Anaesthesia: Speculations on the Dreamlife of Beasts(en)

2018-05-13

Part lyrical document, part farce, Animals Under Anaesthesia: Speculations On the Dreamlife of Beasts explores the imaginary unconscious minds of animals. Images of sex, death and the natural world are made manifest in the murky and disquieting dreams of a dog, a cat, a pig and a rabbit.

Maniac Summer
0%

Maniac Summer(fr)

2009-12-05

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.

Genova Genova
0%

Genova Genova(fr)

1984-04-05

A song of love to the city of Genoa. The film wanders the streets of the city center and explore the beautiful cemetery and then climb the hills which offer an amazing view over the old town crossed by a highway and port.

Something New to Die for
0%

Something New to Die for(en)

1993-08-06

Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.

The Day When...
70%

The Day When...(fr)

1997-01-01

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

The Five Obstructions
69%

The Five Obstructions(da)

2003-11-07

Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.

Window
0%

Window(en)

1976-12-23

"This is taking a Super 8mm camera around with me wherever I go and I'm very interested in windows at this time of travel, and I'm trying to make a variety of different statements about the concept of window." - S.B.

Man Yuk: A Portrait of Maggie Cheung
40%

Man Yuk: A Portrait of Maggie Cheung(xx)

1997-01-01

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

Lost Case
0%

Lost Case(cs)

2014-12-01

A completely new story based on existing footage from the series Columbo.

I, Apostate
0%

I, Apostate(en)

2018-11-28

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.

Notes on the Circus
68%

Notes on the Circus(en)

1967-05-23

The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.

The Magic Sun
62%

The Magic Sun(en)

1966-01-01

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)

Blood of Two
0%

Blood of Two(en)

2009-01-01

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

Grace Period
0%

Grace Period(ko)

2015-05-16

Combining documentary with experimental video, "Grace Period" documents the activities of female sex workers in the Yeongdeungpo red-light district in Seoul, South Korea. Facing constant police crackdowns and the threat of permanent closure following the opening of a massive shopping complex adjacent to their workplaces, the women of Yeongdeungpo band together in protest. Archival footage, mostly shot by the women themselves, shows their collective efforts as they organize with other sex workers from brothels across the country. In creative and daring acts of resistance, they launch a series of demonstrations that trace a lineage to Korea's democratic union movements of the 1980s-- denouncing the government and corporate interests, demanding decriminalization, and declaring their rights as workers.

Blind Bombing, Filmed by a Bat
0%

Blind Bombing, Filmed by a Bat(ja)

2020-04-28

During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.

Vertical Shapes in a Horizontal Landscape
65%

Vertical Shapes in a Horizontal Landscape(en)

2018-10-13

A walk through England’s south coast evokes the artists who lived and worked there.

Alvoroço Nas Escolas
0%

Alvoroço Nas Escolas(pt)

2009-05-01

This is a mix of documentary and fiction. Making of the project carried out by the producer ALVOROÇO FILMES with the support of the MUNICIPAL MUNICIPAL DE ALVORADA and SMED.

One Second in Montreal
55%

One Second in Montreal(en)

1969-09-25

A silent succession of black-and-white photographs of the city of Montreal.

Threshold
65%

Threshold(en)

1972-01-01

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre