An animated documentary that explores the terrain of father/son relationships, as seen through Canemaker's own turbulent relationship with his father.
A futuristic cruise ship with a crew of robots is ready to take its first flight. A boy follows his curious dog on board of the ship, but then the ship takes off. The robots sees the boy as a blind passenger and try to get him off the flying ship.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Tracklist: 01. Shipyard overture (Industrial revolution) 02. Suite for flute 03. Oxygene 2 04. Tribute to Chopin 05.Aero 06.Oxygene 4 07. Souvenir 08. Space of freedom (March 23) 09. Theremin memories 10. Chronology 2 11. Mury 12. Chronology 6 13. Oxygene 8 14. Light my sky 15. Tribute to Jean Paul II (Acropolis) 16. Rendez-vous 2 17. Vivaldi "summer- presto" 18. Oxygene 12 19. Rendez-vous 4 20. Solidarnosc (Oxygene 13) 21. Aerology (Remix) 22. No Comment: Alternative shots 23. Concert teaser Darsteller: Jean Michel Jarre Musik: Jean Michel Jarre, Luis Llach
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.
Finlayson plays an intrepid army cameraman on the battlefield in the world war, and Rowe plays his hapless assistant. Cranking away in no man's land, they take foolish chances and must dodge flying shells, falling down and losing their film repeatedly.
This 99-minute concert, which was recorded at the world-famous Paradiso in Amsterdam on May 26, 1995, captures the Rolling Stones in top form playing a strong 20-song set to a high-spirited audience. This was the first of four small-scale club shows that the band held on the European leg of their big-scale 1994/1995 'Voodo Lounge' world tour. These shows can be seen as a kind of response to 'MTV Unplugged' with the band playing rawer, stripped-down and sometimes unplugged versions of their well-known hits as well as rare songs. The Paradiso set list includes a number of rarities from the Rolling Stones' extensive back catalogue that are performed only seldom, including "It's All Over Now," "The Spider and the Fly," "Shine a Light" and "Respectable." The final song from this show, "Street Fighting Man," was used as the opening track on the band's 1995 album 'Stripped.' The full concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.
Stories of how the film Evil Dead, The (1981) rose up very high against the accusations of the 'Video Nasties' of the 1980's in the UK. Many controversial films are referenced here to give us an example of how Evil Dead, The (1981) didn't belong in the garbage bin, and how it was very original for its genre.
A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
Jin scowls into the camera when her sister – the filmmaker – asks about her earliest memories. No wonder: these memories are anything but pleasant. Jin was born in the 1990s, during China’s one-child policy. It was normal then for unborn girls to be aborted – right up to the last month of a pregnancy, because boys were preferred. Living babies were also ruthlessly dumped in the garbage, or in the woods. Jin survived for a week in a box on the streets.
In 1980s Italy, Riccardo Schicchi's agency Diva Futura turns free love into porn, making stars of Ilona Staller, Moana Pozzi and others.
An animated musical inspired by the classic Brothers Grimm tale, 'Jorinde and Joringel'.
Answers questions such as "How many kinds of insects are there?" "Do insects have blood?" "How can a fly walk on the ceiling?"
Oswald gets a visit from the stork ... again and again and again. He has to resort to a variety of strategies to stop the continual flow of babies.
Two dogs, Polkan and Shavka, watched a flock of sheep by the river. Suddenly, they notice a hare, chase after him and run into the forest, where they meet face-to-face with three wolves. Shavka, chickening out, backs away, and the brave Polkan takes the fight. In a fierce fight, he manages to defeat one wolf, but from wounds he loses consciousness.
The flying reindeers have just been kidnapped, Christmas is in danger! Spike the pixy, his cousin Dorothy, and their friend Paco, will have to face multiple tests to counter the machiavellian plans of Tony, the polar bear, and save Christmas!
Peaceful citizens (one of whom resembles Felix the Cat) are dancing to music before their island is being invaded by a gigantic rodent that resembles Mickey Mouse. The islanders contact legendary folk-hero Momotaro from a giant book to battle Mickey.
After being raised on a pig farm in the UK, Matilda the pig decides to undergo a brave and daring escape in order to save herself and her piglets. However, the farmers have a different plan for Matilda and set out to bring her back.
Simple line drawings undergoing the usual transformations so beloved of French filmmaker Emile Cohl.
The lovably rambunctious rabbit takes center stage in this collection of cartoon capers gathered from digitally remastered footage. Hopscotching from one outlandish adventure to the next, the brash bunny wisecracks his way through "Wailroad Wabbit," "This Hare's Fresh," "Ham Nite," "Bleak Beak," "Bugs, Bugs Go Away!" "Sport Legends," "Funny Fables," "I Go for Spinach," "The Wabbit's Wacky," "The Termitenator" and "Popeye the Plumber Man."
Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.
Dipper tries her hand at internet dating.
The Smokejumpers handle another mission in the park.
Based on an original character created by Danzig lead singer Glenn Danzig for his comic company Verotik Press. This three-minute pilot was created by Madhouse for a planned Satanika OVA series. As Verotik Press encountered financial difficulties and closed, a full-length anime was never produced.
The toys throw Ken and Barbie a Hawaiian vacation in Bonnie's room.
Set in an alternate WWI reality where a senseless war rages on, two soldiers on opposite sides of the conflict play a joyful game of chess. A heroic carrier pigeon delivers the soldiers' chess moves over the battlefield as the fighting escalates. Neither soldier knows his opponent as the game and the war builds to its climatic final move. Whoever wins the game, one thing is for certain: there are no winners in war.
A short film screened alongside Gekijouban Macross Delta: Zettai Live!!!!!!.
One of the moralities of the trio of authors Milos Macourek, Adolf Born and Jaroslav Doubrava. It deals with the topic of implacability of human optimism and fantasy. In a sad manner it tells us a humorous story of a man living double life: one of a beaten little clerk, humiliated by his arrogant boss, imperious wife and misbehaved descendant; the other of a spoiled hero of a dream empire full of beautiful and tender women, flowers and fantastic figures. From artistic point of view is the film based on Adolf Born's lithographs.