Gil Lamb finds his chief competitor helping his girl friend's father with some household work. When George tells Andy he can not install the garbage disposal, the daughter, in order to help Gil make an impression on Andy, urges Gil to do the job. The impression made, due to Gil's efforts, is not the impression expected.
Gil Lamb finds his chief competitor helping his girl friend's father with some household work. When George tells Andy he can not install the garbage disposal, the daughter, in order to help Gil make an impression on Andy, urges Gil to do the job. The impression made, due to Gil's efforts, is not the impression expected.
1953-03-13
0
Lovable goon Munna falls for a morning radio host by the name of Jahnvi, who also runs an elders' home which an unscrupulous builder seeks to attain. In order to gain Jahnvi’s attention, he cheats his way to winning a Mahatma Gandhi radio quiz. When Jahnvi consequently expresses interest in Munna, he and his best friend Circuit attempt to keep up the facade.
A quiet stroll through the imaginary world of Iblard, originally depicted in the paintings by Naohisa Inoue, influenced by Impressionism and Surrealism.
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.
Twin Blood is an alternate version of Blade and Evil's first battle, with drastically different character and mecha designs from the rest of the series. Blade/D-Boy does not need Pegas to transform and the armor more closely resembles the Radam humanoids from Tekkaman Blade II.
Based on the short story from the Nailbiters collection, written and adapted by award-winning and bestselling author Paul Kane, this film tells the story of Andy Brooks - a man who wakes up in a cell and is consequently interrogated for information.
Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.
Cracks are starting to burst in Marina's frozen life, leading towards finding refuge in dangerous places.
On the London Underground, a young man relives past traumas as he endures the sensory overload of rush hour, only to look up and see a young woman at the end of the carriage going through the same PTSD symptoms. Their recognition of each other's condition allows them a moment of peace before the train jolts them back into reality and she disappears at the next platform.
A post-modern dark-comedy about a lazy teenage male who struggles to find his element. He is helped along the way by an animal therapist and a store clerk.
Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.
Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him
In the post-apocalyptic world of "Daywalkers," humanity struggles to survive amidst strange creatures known as daywalkers, who masquerade as corpses by day and hunt unsuspecting prey with their white eyes. Our lone protagonist, equipped with lenses to shield his gaze, navigates the perilous daylight to hunt these creatures. When he encounters another survivor seeking aid against a purportedly active daywalker, he cautiously agrees to help. However, as night falls, a chilling revelation unfolds—the supposed survivor is a daywalker in disguise, leading to a fatal confrontation that challenges our protagonist's survival instincts to their limit. "Daywalkers" explores the thin line between trust and deception in a world overrun by darkness.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.