formula, a constantly evolving work updated with each presentation, is a perfect synchronisation between sound frequencies and the movements on the screen. It places the viewer in a binary geometry of space and exploits the darkness to amplify one's perceptions. There is a complete integration of the various elements, composing music, images, lighting and orchestrating the relationships between them through a highly precise score.

formula, a constantly evolving work updated with each presentation, is a perfect synchronisation between sound frequencies and the movements on the screen. It places the viewer in a binary geometry of space and exploits the darkness to amplify one's perceptions. There is a complete integration of the various elements, composing music, images, lighting and orchestrating the relationships between them through a highly precise score.
2002-11-01
0
8.0Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
10.0Don't ask me why, but I feel we're about to cry trying.
10.0Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
0.0A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
8.0An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.
10.0Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
10.0It's time the times met each other over & over.
10.0Still it's really tall. Still it's really floundering/falling/fading.
10.0Strings together what's strung together (please use yr tether).
10.0Your raging romp results only in rescinded regret @ the hands of radder cadets.
10.0Hiding inside&out, writhing about, taken out&in.
0.0Two performances by noisecore act Sissy Spacek, one from The Leathershop in Lima, OH, and another in Minneapolis, MN, processed with analog video equipment.
10.0This cacophony runs over me, over everything I see, everything I want to see: it's me.
10.0Return to 'burn' only to find out you're already in that urn.
7.0The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
6.5Centrist revelations abound among repetitions & revisitings.
10.0Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
0.0Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.