Scanning of Modulations
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Kinda Cool to Expend This Much Drool(en)
Don't ask me why, but I feel we're about to cry trying.
Ruminative Meditations(en)
Say Om as you reach home only to realize you never really left/stopped saying Om.
Leafing You Behind(en)
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
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Rather pointless, rather stilted, fetid; not what we want us going after.
Tights Worship: Inside the Practices of The Rita(en)
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Finds Itself in Corners(en)
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
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The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
The Tempest(es)
Naked bodies are buffeted by water accompanied by the music Il Temporale from the opera La Cenerentola and the overture to Il Barbiere di Siviglia both by Gioacchino Rossini.