A meditative invocation on transcendence as a means of restoration.
In the early dawn, a man fishing by the riverside pursues a mysterious tracking sound to a charging station. Rigging fishing rods, he patiently awaits his target. As night falls, the hanging batteries sway, signaling the commencement of a covert operation. With a net in hand, the man stealthily moves into action, unfolding a tale of intrigue and suspense.
Ingmar Bergman's "Cries and Whispers" retold in a single minute.
Ian splits his time between working his dead end warehouse job and taking care of his ailing mother. The stresses of everyday life, alongside Anna's illness, have created a rift between the two that is seemingly insurmountable.
A dinner party with old friends takes a shocking turn as wounds are exposed, revelations are made, and the past resurfaces. Over one tense evening, Cynthia learns that some things can never be unsaid.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Short film directed by Rudolf Del Zopp.
Two handsome twenty-somethings, Kevin and Jay, drive home from the races after having won the jackpot, excited about their newfound fortune. The newlyweds fantasize about how to spend their bag of cash, but disagreement turns into bitterness when Jay claims ownership of the win and prize. As tensions mount and tempers rise, distraction becomes inevitable and the ride home turns into a race towards tragedy from which fate will ensure no one benefits from the windfall.
Mary and Joseph make the hard journey to Bethlehem for a blessed event in this retelling of the Nativity story. This meticulously researched and visually lush adaptation of the biblical tale follows the pair on their arduous path to their arrival in a small village, where they find shelter in a quiet manger and Jesus is born.
"The Little Old Lady Who Was Not Afraid of Anything" is based on a Halloween children's book about how a brave old lady meets a spooky set of clothes that follow her home.
Great Britain voted to leave the EU. While euphoria and disappointment are mixed among the population, William decides to go to visit his parent discovering that love could be hidden in unexpected choices.
Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.
Professor Pierre is assigned to find a missing heiress whose fortune will go to a worthless relative if she isn't found. He uses most of his dialect ability in the search by posing as a Chinaman, an Englishman, a sailor and a Scotchman, but is unable to find her. He meets his sweetheart at a restaurant and, there, discovers she is the heiress he has been searching for. She breaks off their romance when she finds out she is rich.