William Wegman: Video Work 1970-1999(2006)

Battleship Potemkin(ru)

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Paris, Texas(en)

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

On Her Majesty's Secret Service(en)

James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.

Joe Bullet(en)

When local soccer team The Eagles fall prey to a series of onslaughts from a mysterious gangster only a week before the championship final, the team turns to the one man that can help save their chances at victory – Joe Bullet (Ken Gampu). Joe will have to battle against villainous henchmen, escape booby-trap bombs and bring his martial arts expertise to the fore in order to survive an attack from a deadly assassin. In the end he will have to infiltrate the mysterious gangster’s hide-out in a dangerous cat-and-mouse rescue mission to save not only The Eagles’ two kidnapped star players, but that of his beautiful love interest, Beauty (Abigail Kubeka). The odds will be stacked against him, but he’s the man that fights crime, the man that no one can tie down! Joe Bullet!

8½(it)

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Safari(en)

Safari is an American, found footage thriller film, set in South African wild, where animals and poachers rule the land. Two worlds collide when Mbali, a young zulu girl, meets an American tourist group who have come to explore and go on safari in South Africa. Things take a wrong turn after the group enter uncharted hunting grounds where they are forced to face the untamed wild.

Wish Taxi(ko)

In-man is a timid but caring man who creates a suicide group for his first night with his girlfriend and suggests a 'bucket list'. Strong but weak woman Ji-eun is at risk of being sold to some islands because of debt thats started with her college fees so she decides to spend a whole lot of money before she dies. Hye-ri is a bright but pained girl who gave everything to a man she loved but got nothing in return. Cho-hee is a woman who's life isn't the same after sending away everyone she ever loved. The four people alike, fulfill their 'bucket list' before they die and find hope and happiness in the process.

Mi gitana(es)

Inside Man(en)

When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.

Afro Promo(en)

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

Scream 2(en)

Two years after the first series of murders, as Sidney Prescott acclimates to college life, someone donning the Ghostface costume begins a new string of killings.

Monsieur Truffaut Meets Mr. Hitchcock(en)

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Fame(en)

A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.

Holy Daddy(ko)

Won-Tak's dad, an old-time con-man, was suddenly killed during a freak accident in the prison, just one day before his release. Having waited for so many years to be reconciled with his dad and to start a new life together, Won-Tak felt betrayed and vowed to ruin his own life and bring shame to his parents. However, unknown to him, Wong-Tak's dad has managed to strike a bargain with an angel to return to the living world as Won-Tak's new bestfriend.

Eternal Sunshine of the Spotless Mind(en)

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

Chaplin Today: 'The Kid'(en)

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.

Roar(en)

Roar follows a family who are attacked by various African animals at the secluded home of their keeper.

French Dressing(en)

A deck-chair attendant at a British resort promotes a film festival featuring a French sexpot.

Vivement Truffaut(fr)

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.