Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers.
Self - Author, Blackout: World War II & Origins of Film Noir
Self
Self - Director of Crime Scene Festival
Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers.
2009-08-22
6
In this drama that alludes to the Algerian War with France of the 1960s, Thomas is a deserter from the French Foreign Legion who is on the run from authorities. He helps damsel in distress Dominique, who has been taken hostage by a group of terrorists. Thomas is wounded but manages to escape after killing the guard who inflicted the injury. Dominique gives Thomas money to escape to France after he secures her freedom, but he is caught between the Foreign Legion and the terrorists seeking revenge.
A night of classical music,conducted by famous comedian actor Danny Kaye,is something for the whole family to watch. Danny puts his talents to use while conducting and makes it very special for people of all ages.
With the help of diver and biologist Laurent Ballesta, a scientific expedition explores three sunken Italian volcanic sites in the Mediterranean.
A semi-trailer found dumped and full of dead people leads Kurt Wallander and his team to a convent where the nuns have been assisting illegal refugees into Sweden via Poland.
A young Gallic heiress Christine is looking for her long-lost brother in Algeria. She's not looking for danger, but that's what comes in her way from every nook and cranny.
The farmer's wife Elli is determined after the unexpected death of her husband, despite high debt and against the advice of their adult children to manage their farm on. At the same time she dreams after 25 years of marriage, which consisted mainly of work, finally the great love. A partner agency, she met the friendly and down to earth from Zimbabwe Raymond know. Both are sparks at first, but above all the men in the village of Africans met with suspicion and prejudice. Against the odds, Elli is willing to fight for their happiness.
Much like the infamous match between Bret Hart and Tom Magee, a piece of PROGRESS history has recently been uncovered. The former Progress announcer, Jimmy Barnett, has been sharing his memories of a show from May 26th, 1988. Last year he was kind enough to offer his recollections of a very early PROGRESS from way back in May of 1978 (PROGRESS even found the footage in their vault), and it's a rare treat to get details of another historical show from a man on the inside.
The story of a group of teenagers with different problems. They live and share together to find the missing piece, chasing dream and the meaning of life.
A Japanese fox spirit being stopped by another spirit when she moves into a Japanese town for an autumn night full of mischievement
Tasked with finding out the truth behind his fellow colleague's death, a police officer begins by reviewing his previous cases. Slowly, he traces the steps of the murderer until he discovers the killer's master plan.
A middle-aged couple's comfortable life changes forever when the wife, driving home alone in the rain while slightly intoxicated, runs down a pedestrian and flees in panic. Her guilt over the hit-and-run, compounded by her husband's suspicions of what happened, begins to affect their once loving and happy relationship.
A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Take a front row seat as we sit down to chat with some of the creators and stars of the best and most beloved exploitation and grindhouse films of the 1970s and 80s. Featuring interviews with John Dugan (The Texas Chainsaw Massacre), Craig Reed (The Re-Animator), John Russo (Night of the Living Dead), Lynn Lowry (The Crazies), Carl Crew (Blood Diner), and many more independent horror veterans.
Filmmaker Alexander Freeman who was diagnosed with cerebral palsy at the age of two, was raised by his loving and supportive parents but the one thing he has always wanted was to be in a loving relationship with a woman and to have a family of his own. When Alexander meets his life partner Orina by chance at a film screening his life changes forever for the better, especially when his daughter Maya is born. As Alexander and Orina raise Maya, have a commitment ceremony, start their lives together, and struggle with life's challenges, Alexander's parents learn to accept that Alexander can live a normal life independently and can be a great father despite their original views on the pregnancy.
A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).
Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
A behind the scenes look at the making of Jellyfish Eyes by first-time feature-film director, the world-renowned artist, Takashi Murakami.
Documentary on the making of the cult classic Nelvana animated film, "Rock & Rule." Featuring interviews with Lou Reed, Debbie Harry, Chris Stein, Iggy Pop, Maurice White, and Director Clive Smith.
A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
Documentary giving an extensive look into the design and development of the creatures created for artist Takashi Murakami's first feature film, Jellyfish Eyes.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.