Manipulating a variety of sources, Vasulka uses creative imaging tools to situate historical images against Southwestern landscapes of incredible beauty. Contorting the images into a variety of isomorphic forms, Vasulka creates a literal shape for these memories, developing these shapes as metaphors for the processes of fragmentation, condensation, and inversion, that inevitably contort fact into memory. While much of the raw material for the tape is drawn from World War II and its rehearsals, the Spanish Civil War and the Russian Revolution, The Art of Memory is really an extended meditation seeking to reconcile the blurry, banal photographs of historic figures with the mass destruction they helped engineer.
Voices (voice)
Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.
The Ducks are offered scholarships at Eden Hall Academy but struggle with their new coach's methods and come under pressure from the board to retain their scholarships before their big game against the Varsity team.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
This movie shows the simplest difference between Europe and former Soviet Union. It is the eponymous 89 mm - Russian train tracks are 89 mm wider than tracks in European countries. And because of this fact, it is not easy to go through the Soviet border by train in Brest as the passengers in the film do.
Scooby-Doo and friends are off on another adventure in this collection of 3 episodes from the various eras of Scooby-Doo TV shows.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Fourteen-year-old Jeremi is a YouTuber. His father works in a space agency and promised to show him a rocket launch, but plans changed at the eleventh hour, and he called off the trip. Instead, the teenager is sent to his grandpa in the countryside. To drag Jeremi away from the Internet, his dad gives him a special mission.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
TRON: The Next Day is a 10-minute short film, released on the Blu-ray edition of TRON: Legacy in April 2011, that fills in the backstory between TRON and TRON: Legacy. It features scenes from the real-world Flynn Lives ARG as well as purely in-universe content. The short film also reveals the full chronology of the Flynn Lives Organization, naming Roy Kleinberg as the secret figure heading up the operation and Alan Bradley as its financial backer. Some scenes in the short also set up the story for a potential third film.
Amuro Ray and the rest of the White Base crew, now denominated the 13th Autonomous Corps, return to outer space to support the rest of the Earth Federation forces for the decisive battle against the Principality of Zeon's forces.
The rules saw participants enter in staggered intervals, with the last person due to enter being Wolverhampton’s Trent Seven. However the WWE superstar never made it to the ring, ultimately being thrown off the entrance stage and through a table. Fight Club: PRO wouldn’t be disadvantaged for long, with Jimmy Havoc making yet another surprise appearance at Project Mayhem, to aid the promotion. Birmingham’s Dan Moloney would ultimately secure the pinfall for Fight Club: PRO, piledriving Kyle Fletcher through a table.
The gang flies off to Africa for a video animal safari titled 'So Goodi!,' only to learn that - zoinks! - the creatures are actually shape-shifting jungle demons! In Homeward Hound, a "fiercely fanged" cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, a giant Wakumi bird is stealing sculptures that are scheduled to be housed in a museum in New Mexico, Old Monster. There's never a dull moment when Scooby-Doo enters the scene!
Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
An idyllic summer turns into a nightmare of unspeakable terror for yet another group of naïve counselors. Ignoring Camp Crystal Lake's bloody legacy, one by one they fall victim to the maniacal Jason, who stalks them at every turn...
The Straw Hats visits an island, known as Mecha Island, where a fisherman sings an old folk song about a Golden Crown. Searching for that mysterious treasure, they find a hidden entrance into the island. The island's leader, Ratchet, impressed with the find and in search of the Golden Crown himself, invites the crew to join him in his search and the crew along with Ratchet and his henchmen enter the cave. As it turns out, the islands true form, is that of a giant turtle. Ratchet, who had known this all along, uses his mechanical castle to take control of the turtle, in order to use it, to take over the world. Now the Straw Hats have to stop not only Ratchet, but also the helpless turtle, from crashing into a nearby island.
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
Part one of the two part abstract video art-piece, with music composed by Philip Glass and performed by the Kronos String Quartet.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.
The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.
A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is the exposure of the digital medium itself, a choreography of ghost images mechanically imitating the artificiality of a process.
"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device that enables Hill to sculpt electronic forms on the screen. Each "videogram" relates literally or conceptually to Hill's accompanying spoken text, which is visually translated into abstract shapes. Hill writes, "The vocabulary and precision of this tool allowed me to expand the notion of an 'electronic linguistic' through textual narrative blocks created specifically for the electronic vocabulary inherent in the Rutt/Etra device."
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.
Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
Using one half of a convex mirror mounted within a glass cylinder, Steina trains the video camera eye dead center as she records the space immediately around her. “Steina playfully does gymnastics with her camera and its mirrored lens attachment as a means of producing a 360-degree image of a torso wrapped around the camera lens . . . an exercise in an immersive space” for both maker and viewer. —Yvonne Spielmann
Against a field of swaying and halting yellow vegetation, another processed field: the image of the eponymous subject (performed by painter Doris Cross) riles and emits unintelligibly to the viewer. Conjuring the mystical biblical character Lilith, Steina's video layers both sound and image to produce an ever-shifting, frustrated presence.
A nomadic homunculus ranger lives in the derelict wastelands of Neo Kansas City 2, where they barely survive and make friends, despite the constant chaos.