Technicolor Dream
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Pancoran(en)
Motorcycles and cars are lost in the sound of traffic and disappear in bands sliced into film footage of Jakarta’s roads. The horizontal and vertical lines or checkerboard patterns emphasizing the density and chaos of the crowded roads were made by optically printing 16mm film.
Speed(en)
SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.
The Death Ox(en)
An experimental and video art film in which an ox is butchered by a butcher.
Tyngsboro(en)
During his visit to a graveyard, a young man is suddenly projected into a dream-like realm. Empty and removed from time, the familiar landscape forces him to confront certain pains when blood suddenly effuses from his hands.
Oh My God(en)
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Interface(en)
An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its transformation in the electronic sphere.
Discs(en)
In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the indtroduction of purposeful time error. The result is the repetitive abstract pattern of a distorted magnetic field. Furthermore, this horizontal stream also travels thorugh a set of TV screens stacked on top of each other, giving the work a vertical dimension as well. The image thus demonstrates the flexibility of the frame in video.
Reminiscence(en)
This tape was created when Woody visited his native Moravia with a Portapak camera. In the course of signal modulation an alteration in the field of raster lines is taking place, in which the lines are being vertically deformed and gain the contours of objects (with the use of a Rutt/Etra synthesizer).
Noisefields(en)
This is an attempt to process abstract images without the use of camera. The central circle divides the creen into two parts that continually vibrate hypnotically and change colors to the accompanying rumbling of modulated sound.
Between Science and Garbage(en)
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All Star Video(ja)
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
River of Tears(en)
My Hair is a River of Tears is a hypnotic experimental animation that plunges viewers into the isolating depths of schizophrenia. Through poetic visuals and haunting narration, the film traces a solitary journey across surreal cityscapes and shifting inner landscapes. As the protagonist’s thoughts unravel - sparkling with hope, yet clouded by fear - the world becomes a kaleidoscope of anxiety and longing. Dreamlike imagery and a flowing, lyrical script immerse us in the raw emotions of loneliness, confusion, and fleeting hope, offering a powerful meditation on the lived experience of mental illness.
The Infinite Mercy Film(en)
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Projections(en)
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
I Do Not Know What It Is I Am Like(en)
"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.
Violent Incident: Man-Woman, Segment(en)
In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”
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