Straight-to-video filmmaker David Payne writes and directs the docudrama Just Can't Get Enough: The True Story of the Chippendales' Murders. The movie opens with Nick DeNoia (Peter Nevargic) getting shot in his office. The bulk of the story takes place in the early '80s during the glory days of the Chippendales night club, owned by sleazy businessman Steve Banerjee (Shelley Malil). Innocent college graduate Chad Patterson (Johnathan Aube) gets a job at the club to make some extra money, but he manages to get corrupted by the money and lifestyle. Then choreographer DeNoia gets involved in a blackmail scandal and Steve gets illegal ideas of his own.
After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.
A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
When a young Yakuza torments the customers in a rival crime family's nightclub, it is not long before his dead body is found. Soon, inter-family retaliation follows, resulting in the death for a prominent crime boss. Devastated by this turn of events, the temperamental Kenzaki vows to avenge his boss's death and, as bloody violence ensues, the body count reaches excessive proportions.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.
José Luis has a cushy corporate job at the lingerie factory his mom owns. After he falls in love and proposes to Silvia, a beautiful laborer on the underwear assembly line, his mom enlists Raul, a potential underwear model and would-be bullfighter, to seduce Silvia.
Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.
A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) – high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls. During his year in seventh column,Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
In the heat of the summer, Andy leaves the city in order to spend some time at a luxury villa with his best friends. As they party and goof around, their initial consensual horseplay reveals that they each have different personal boundaries.
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani's best kept secret, that he is in love with another man.
Five-thousand-year-old vampire Miriam promises her lovers the gift of eternal life. When John, her cellist companion for centuries, discovers that he has suddenly begun growing old, he attempts to seek out the help of Dr. Sarah Roberts, a researcher on the mechanisms of aging.
In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.