Produced in association with the Academy of Motion Pictures Arts and Sciences as part of a twelve part series called The Industry Film Project, meant to inform the public about specific facets of production and industry life. It shows that the "magic seat" of a movie theater can transport the movie-goer to all types of adventures, such as the Oklahoma land rush; being rescued by a sheik in the Sahara Desert; watching a huge ape climb the Empire State Building; or experiencing a hurricane in the south Pacific. No matter what type of thrill your looking for, you'll find it on the big screen. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division in 2012.
Little Boy (uncredited)
Little Boy (uncredited)
Mother (uncredited)
10.0Documentary short subject preserved by the Academy Film Archive, from the Marshall Plan Collection, in 2003.
5.1"Abner L. Fuqua clears his throat and I get mad and stand close to trains or cut my eyebrow off. Dorothy is Abner's wife. Abner can slap hard, like blue magic." - graffiti
5.0Melting shows the natural monostructural disintegration of a strawberry sundae, its passage from rigidity to softness, from edibility to waste. The spoon resting on the plate refers to the human presence, which lurks behind the screen, declining to interfere with what transpires. Preserved by the Academy Film Archive in 2009.
6.0Inspired by a lesson from Erik Satie, a film in the form of a street: Castro Street, running by the Standard Oil Refinery in Richmond, California.
0.0Everyone in Philip’s science class has a great idea for a report - everyone, that is, except Philip. That evening, he listens to a song playing on his boombox, and it provides him with inspiration: DINOSAURS! The next day at the museum, Philip discovers that the search for the truth about these magnificent animals and their astonishing 160-million-years success on the Earth is the most fascinating mystery tale he’s ever heard. What follows is an exciting collection of established theories and fascinating speculation. Philip’s report captivate viewers of all ages, just as it captivates Philip’s classmates. The Kingdom of the Dinosaurs comes to life through animation, live action, and a special Claymation feature by Will Vinton Productions. A short educational Claymation film about dinosaurs. Preserved by the Academy Film Archive in 2013.
0.0Short film by Frank Stauffacher. Preserved by the Academy Film Archive in 2013.
7.2Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.
5.5A woman's nightly domestic rituals—from putting her baby to bed to making love—unspool in a playful parade of surreal, straight-from-the-id images.
6.1Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Preserved by the Academy Film Archive in 2005.
6.8A carousel barker falls in love with a young woman. Both are fired from their jobs, and when the young woman becomes pregnant, the carousel barker tries to help pull off a robbery, which goes wrong. Because of the robbery, he dies, and after spending time in hell, is sent back to earth for one day to try to make amends. Preserved by the Academy Film Archive.
4.7"The Dead became my first work in which things that might very easily be taken as symbols were so photographed as to destroy all their symbolic potential. The action of making The Dead kept me alive." Preserved by the Academy Film Archive in partnership with The Film Foundation in 2013.
7.2The White Shadow is a British drama film directed by Graham Cutts based on the novel "Children of Chance" by Michael Morton. Alfred Hitchcock worked on it as assistant director and also handled the writing, editing, and art direction. The film was long thought to be lost. In August 2011, it was announced that the first three reels of the six-reel picture had been found in a garden shed and donated to the NFPF. The film cans were mislabled Two Sisters and Unidentified American Film and only later identified. The film was restored by Park Road Studios and is now in the New Zealand Film Archive. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation in 2012.
5.0The Madam of a brothel satisfies the erotic fantasies of her customers, while a revolution is sweeping the nation.
7.6Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
7.1A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
6.3At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
6.5An anatomy of violence. Four young men and two young women are on a drive. There's a rivalry between two guys for one of the girls. On a remote road, the car stalls. The driver hitchhikes for help. Led by the intrepid girl, the others walk toward abandoned buildings, perhaps a mining operation. One of the three guys sits and reads. The intrepid one explores the building and sees something that scares her. She screams; the two rivals and the second girl run to find her. Something she says starts a fight between her two suitors. The one reading a book walks away in disgust. After stopping the fight, the two young women follow. How can this end? Preserved by the Academy Film Archive in 2005.
6.6With magic inflatable objects that spring to life to fill his every need, a flippant beachgoer wants for nothing. Well... almost nothing.
5.7Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.
0.0First the Beaulieu documentation of the shoot, then the Arri footage, the porn loop, and the reprise. VT was shown from 1979–1981, with Jim Fulkerson performing on amplified trombone before the screen. Juan Carlos Kase discussed VT in “Alternative Projections.” Part of his essay, read by the author, is included. Preserved by the Academy Film Archive in 2011.
