In the Swedish general elections of 2014, the Sweden Democrats (far-right) became the Riksdag's third largest party. By tradition - and through a formal vote - the chamber honors the largest parties by awarding them the Speaker and three Deputy Speaker posts. Filmed in the Swedish parliament, “Second Deputy Speaker” gives a critical study of politics and symbols of resistance in parliamentary procedures.
In the Swedish general elections of 2014, the Sweden Democrats (far-right) became the Riksdag's third largest party. By tradition - and through a formal vote - the chamber honors the largest parties by awarding them the Speaker and three Deputy Speaker posts. Filmed in the Swedish parliament, “Second Deputy Speaker” gives a critical study of politics and symbols of resistance in parliamentary procedures.
2015-03-12
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Trump Card is an expose of the socialism, corruption and gangsterization that now define the Democratic Party. Whether it is the creeping socialism of Joe Biden or the overt socialism of Bernie Sanders, the film reveals what is unique about modern socialism, who is behind it, why it’s evil, and how we can work together with President Trump to stop it.
The director meets Amir and Ramzi in a café in a small Tunisian town. They don't want to be seen there. They have to find a discreet place to talk. Like many other gay couples in Tunisia, Amir and Ramzi are living a nightmare since the Tunisian Revolution. With them, the director will discover the daily life of the Tunisian homosexual couples, even in the discrete parties organized in hotels of the country.
Player, coach, journalist and polemicist, João Saldanha (1917-1990) has always been a good fighter. The bravery he displayed on the field, in the short period he was a player, led him to accept the post of coach of the same team, Botafogo. He was also one of the most feared and controversial sports commentators of his time.
In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene falling into pieces without the director's orders and without any aims.
The simple actions of a young boy on the beach provide visual metaphors for the normally unseen world. The camera adds a profound dimension to what the boy has seen, giving us a deeper understanding of visual awareness.
In 1946 ethnographic researcher Rouch had attempted to film a "Bangaoui," a hippopotamus hunt along the river Niger, but the results were unsatisfactory.Five years later, he returns and makes the extra effort to get it right this time.
"A well-known character, in a dance that created considerable excitement when first introduced in America."
A gay man reminisces about his deceased lover, a victim of AIDS.
A documentary about a shocking case of HIV criminalization in Greece.
An intimate portrait of a strong independent feminist who has witnessed the gradual emancipation of women. Now a pillar of support in her community, 85-year-old Terese is savouring every moment of living, and being a liberated woman.
Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.
A previously unseen short by the Japanese avant-garde titan, Toshio Matsumoto's 1986 Summer locates faces and bodies within superimpositions, zooms, a lightning-fast montage of brick structures and verdant trees.
This film tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with Lidiya Kan’s mother, personal stories, fragmented memories, and her family photo archive. An important character of the film is Morkovcha, the Korean carrot salad, an invention of the Russian Korean diaspora; its essence is symbolic of their mixed identity.
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
2ⁿ is a story about the exponential growth of numbers raised to powers. Part of the Mathematica Peep Shows, one of five films made to accompany the Mathematica: A World of Numbers and Beyond exhibition at the California Museum of Science and Industry and the Museum of Science and Industry in Chicago.
In a dry, barren landscape, a herd of cattle is grazing, accompanied by dogs, looked after by cowboys. Step by step the seemingly peaceful place starts to prove fallacious to the viewer - while the cows end their day as it begun.
"Love Has No Age" is a love story that got lost over forty years of time. The two characters in this Docu-film; Ron Raffaelli, and Charlene Peters "Isis Aquarian", went their separate ways; one joining a cult, called "The Source Family", and another continuing his legendary rock photography career... Their paths met again and they reunited on this journey.