The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”
Tareq
The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”
1964-02-10
7
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.
As the entertainment industry's biggest tabloid draw, Jennifer Lopez has had successful careers in multiple fields. Here, Lopez showcases her career as a pop singer with every one of her music videos to date -- from her debut, "If You Had My Love," to her latest release, "Baby I Love You." J. Lo also enhances the collection by providing personal commentary to each video, including how the ideas came to light and which videos she likes best.
Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.
This is going to be the best holiday ever. Coconut The Little Dragon is thrilled about going to summer camp with his best friends Oscar and Matilda. But due to wild Water Dragons and carnivorous plants, the adventure he wished for turns out tougher than expected.
Being the adventures of a young man whose principle interests are movies, New York, and mass murder. CHARM is an ultra low budget black comedy about Malcolm - a New Yorker who gets tired of how gentrified, tepid and antiseptic it's all become. What's happened to the 'Good ole days'?! And so he decides to take matters into his own hands by personally starting a crime wave which he hopes will catch on and drive real estate value down, opening up the city to bohemians, artists and a swell of creativity, just like the supposed good 'ole days of the 1970s and 80s. The only problem is: Nobody is paying attention.
Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.
The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.
Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.
Amuro Ray and the rest of the White Base crew, now denominated the 13th Autonomous Corps, return to outer space to support the rest of the Earth Federation forces for the decisive battle against the Principality of Zeon's forces.
When Will Hataway convinces his friends that a camping trip in the forest near his hometown will be a more personal graduation celebration than a trip to New Orleans, the stage is set for a memorable weekend, especially since the closest most of them have come to the great outdoors has been on television. Culture shock seems to be the least of the group's worries as they get to know more of the people from the sleepy little town, but once they get to the forest, everything begins to fall into place. After two of them are brutally slaughtered, it becomes painfully obvious to the remaining campers that a pack of sadistically gleeful lunatics is making a game out of methodically hunting them. As they fight for their very survival, unexpected twists further complicate matters, leading to an ending that is as shocking as it is disturbing.
A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.