Felvidek – Caught in Between(2014)

I Don't Know(en)

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

Fine Feathers(en)

Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.

How Not to Be Seen: A Fucking Didactic Educational .MOV File(en)

How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.

Getting to the Nutcracker(en)

The Los Angeles-based Marat Daukayev School of Ballet gathers the resources, volunteers, and cast to put on The Nutcracker.

The Hacker Wars(en)

h)ac(k)tivist-noun: a person who uses technology to bring about social change. The Hacker Wars - a film about the targeting of (h)ac(k)tivists, activists and journalists by the US government. There is a war going on- the war for our minds. The Hacker Wars.

Little Azkals(en)

The Philippine Football team Azkals miraculous winnings in Asia started a wave for the country that we too can eye for the most coveted World Cup. For the first time in history, The Philippine Football Federation (PFF) has launched a search for the next Philippine Azkals who will undergo training for the 2019 World Cup qualifier. More than 1000 boys from Luzon, Visayas, and Mindanao tried their lucks. Only 22 are selected. This documentary film is a story of dreams.

Encounter Point(en)

Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.

Pretty Bloody: The Women of Horror(en)

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Manufacturing Dissent(en)

"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.

Dirigenterna(sv)

Six women have entered a male world - the orchestra conductors. The doubtfulness against female conductors and musicians in the world of classical music becomes clear during a visit to the Vienna Philharmonic. Conductors Sixten Ehrling and Jorge Mester comment on the prevailing conservative attitudes among colleagues.

Lines from the Heart(sv)

The trio of actresses have ostensibly gathered to pay tribute to Mai Zetterling, but also reminisce about their own careers and the illustrious figures, including Ingmar Bergman, they have worked with.

These Are My People...(en)

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

We the Economy: 20 Short Films You Can't Afford to Miss(en)

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.

No Loitering(en)

An intimate portrait of teenagers trying to understand their world and their possibilities. The film weaves together video shot by teens and by the filmmaker, as they work together to make a film and create expressive outlets for youth in the community. They organize dances and community events and paint a mural. At the same time, with humor and pathos, these young people raise issues around violence, feeling misunderstood by adults and lacking respect in their community. Set in the small town of Sitka, Alaska, home to a large Alaska Native population, the video chronicles their creativity, concerns and dreams.

Devil's Playground(en)

The Devil's Playground is a fascinating and moving documentary about a little-known aspect of Amish life. Amish are not permitted to join the church until their late teens, and have to do so of their own volition. The film explores Rumspringa, wherein young Amish are given the opportunity to explore the "English" way of life.

By the People: The Election of Barack Obama(en)

By the People: The Election of Barack Obama is a documentary film produced by Edward Norton broadcast in November 2009 on HBO, which follows Barack Obama and various members of his campaign team, including David Axelrod, through the two years leading up to the United States presidential election on November 4th, 2008.

Harlequin(de)

A love story set to a baroque score, HARLEQUIN is a delicate black-and-white ballet rendered through exquisitely detailed silhouettes.

Dark Horse(en)

The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.

Calypso Rose: The Lioness of the Jungle(en)

The Illusion(es)

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.