This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.
This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.
1969-10-20
0
Ricardo Bar (22) is a young man who lives with his family in a little farm, in the border of Brazil and Argentina. There is mainly the jungle and the settlers, descendants of German immigrants. Ricardo doesn't want to inherit his father's land; he wants to become a pastor. Problems begin when Ricardo and the community tell the directors to stop shooting and leave. From that moment on Ricardo Bar tells two stories: one about a deal, the directors' offer to Ricardo in order to be able to shoot the film, and the other about Ricardo's life at this moment, his reaction to the director's offer, reenacted for the camera.
The world’s most magnificent horsemen face an unsure future in one of the planet’s last great equine cultures. The Tibetan Buddhist region of Mustang in the High Himalaya is the Last Forbidden Kingdom and their unique heritage and remarkable spiritual bond with the horse is under threat. In a land where a man’s wealth can still be measured in horses, death defying races are the colorful back-drop for this story of the ascent of civilization in the high Himalaya. With lush cinematography, and insightful intervieww, the film also recounts the little known story of the CIA’s covert operations in Mustang, and features rare archival footage of the Dalai Lama’s flight on horseback over the Himalaya. The scholarly and perceptive voices of Dr. Sienna Craig - author of "Horses Like Lightning" and Mikel Dunham, author of "Buddha's Warriors" turn this lens to issues of globalization, fragile border politics and the precarious future for Mustang’s distinctive equine culture.
Fragments from movies found in an abandoned cinema in Beirut. Retrieved by Mr. Salloum. Assembled by Ms. Ahwesh.
It can be said that the history of man is the history of the horse. Nowhere is that more true than in Poland with their beloved Arabian horse. This is the strange, unexpected story of far-flung lands as disparate as Egypt and the long-suffering Slavic kingdom of Poland coming together in war and in peace and influencing one another through the living history written on the backs of centuries of horses. This breathtaking film documents the unlikely, triumphant story of Poland's entrance onto the world stage via their worldwide influence on the breeding of one animal; how a beleaguered nation rose up to become the pinnacle of Arabian horse breeding, coming full circle from desert sands to the hallowed halls of Europe.
White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.
Love and desire fill the minds of villagers in a Hungarian speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village’s inhabitants are elderly, they are refreshingly young at heart.
Forever Yours is a film about children who have been taken into custody. Through the children, their biological parents and foster parents, the film depicts love in everyday life. The film explores the invisible bond between a child and a biological parent. Even when a child is taken into custody, the yearning for closeness to the biological parents and need for their approval never seems to disappear. This longing is a form of loneliness that the foster parents struggle to overcome. The film describes the entire foster care process: a child being brought into a shelter home, a teenager’s everyday life in a foster family, and siblings preparing to return to their biological mother, after five years in a foster family.
The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.
This film profiles Canadian actor Christopher Plummer of the Shakespearean Theatre, Stratford, Ontario. As the minutes tick by, cameras register the transformation as he dons his make-up for the title role in Cyrano de Bergerac. We also see Toronto actress Kate Reid as well as actors Len Birman and Martha Henry.
The life and work of Tove Jansson, mainly known for creating the Moomins but also a writer and painter.
Generation Startup takes us to the front lines of entrepreneurship in America, capturing the struggles and triumphs of six recent college graduates who put everything on the line to build startups in Detroit. Shot over 17 months, it's an honest, in-the-trenches look at what it takes to launch a startup. Directed by Academy Award winner Cynthia Wade and award-winning filmmaker Cheryl Miller Houser, the film celebrates risk-taking, urban revitalization, and diversity while delivering a vital call-to-action-with entrepreneurship at a record low, the country's economic future is at stake.
“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.
Pascual Iranzo is a famous and eccentric hairdresser from Barcelona with a unique idea of what it means to cut hair —and stylism— and an even more particular way of understanding the world. At 87 years of age, he maintains his supreme artistic skills and his incredible vitality. Between scissors, friends and cocktails, he is a man who never stops transforming and reinventing himself.
Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). Preserved by the Academy Film Archive in 2012.
Walking the dark, invisible passageways hidden behind Bogotá’s bright neon lights, Diana, a transgender woman becomes a crucial catalyst of the Zona Especial de Servicios de Alto Impacto (ZESAI). ZESAI is a social policy experiment intended to promote social integration by legalizing sex work within the residential neighborhood of Santa Fe.
Naomi Kawase collaborates with Shinya Arimoto, a Taiyo award-winning photographer she knows from university, to create a photo album of Machiko Ono (who Kawase scouted for her previous feature film Moe no Suzaku) and Mika Mifune (daughter of famous actor Toshiro Mifune) with the idea to contrast these two aspiring actresses, Ono coming from the rural Nara and Mifune from Tokyo. Kawase documents the photo shooting and interviews Arimoto, Ono and Mifune as the work progresses, while the tension between her and Arimoto increases over disagreement on the direction of the project.
Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.
Lost and Found depicts a life of a man with no homeland. 10 years ago Konstantin G fled the persecutions of homosexuals from Moscow to Finland. He lives now in Helsinki, living the different roles of his life: he is a nurse and a friend of the aged, a bright personality of the nightlife in Helsinki's gay-world, a solitary figure of the Russian community and the Orthodox Church, and as well as an intensive cabaret performer. Film is a mosaic-like journey to the loves and lives of Konstantin, where poems, songs and encounters form a picture of one passionate and unusual life. In the roles of his own life Konstantin Gontcharev.