Basic Film Terms: A Visual Dictionary(1971)
A Documentary about basic film terms, applied through a short film.
Movie: Basic Film Terms: A Visual Dictionary
Basic Film Terms: A Visual Dictionary
HomePage
Overview
A Documentary about basic film terms, applied through a short film.
Release Date
1971-01-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
Similar Movies
Queer Artivism(en)
An insight into 5 queer film festivals accompanied with the discussion about the importance of queer film festivals, queer film and people's experience with both.
Railway Station(pl)
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Cavalcade of Dance(en)
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
Bredo Greve - Film Rebel(no)
He was an anarchist and provocateur. Underground filmmaker and a cheeky fuck. Several of today's veterans in the Norwegian film industry started their career with him. Yet there are few today who know Bredo Greve. In Bredo Greve - filmrebell you will get to know the filmmaker's marvelous film history. Greve was always ready for a good fight, and he used film to pinpoint problems in society that are still scarily relevant.
A Personal Journey Through Cinema History with Thomas Pollock(en)
Covering over 100 years of cinema, this is a journey of discovering and exploring the magic of cinema from a personal perspective. Looking at the changes and developments of cinema Thomas explains how film has deeply affected his life as a person and a filmmaker.
A Bing Crosby Christmas(en)
The program on this DVD is basically a retrospective produced in the early 1990s for public television that was originally called «A Bing Crosby Christmas: Just Like the Ones You Used to Know» that was narrated by Gene Kelly and hosted by Bing's widow, Kathryn Crosby. The program itself features clips from fifteen of Bing's classic television specials, concentrating on the period from the early 1960s onwards when he included Kathryn and their three children in the programs.
The New Apartment(de)
A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel architectural and interior design exhibition, WOBA, to demonstrate innovative aspects of modern architecture and highlight their differences from the event’s highly conservative approach. Despite its ad campaign roots, Richter's touch is not absent; The surviving version, aimed at a "bourgeois" Swiss public, presents decluttered, functional architecture and decor as superior to the traditional and luxurious "ancient" ways of living.
City of Wax(en)
City of Wax is a 1934 American short documentary film produced by Horace and Stacy Woodard about the life of a bee. It won the Oscar at the 7th Academy Awards in 1935 for Best Short Subject (Novelty). Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2007.
Popular Science J-7-1(en)
Raising angora rabbits for wool; new marine navigation and safety technology; kitchen gadgets; developing new rose varieties.
Hunting the Panther(fr)
A hunter and his native helpers set up a trap, then taunt and shoot a panther. Next we see the locals skin the animal.
Dr. Cook at Copenhagen(da)
On 4 September Frederick Albert Cook (1865-1940) arrived in Copenhagen on the ship 'Hans Egede'. He received a hero's welcome as the first man to set foot on the North Pole. He was greeted by the king, and given an honorary doctorate at the University of Copenhagen. Only a few days later, however, his endeavour was questioned, and in December the University rejected Cook's documentation. Carl Th. Dreyer is seen as one of the journalists taking notes. (DFI)
Vivement Truffaut(fr)
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
Monsieur Truffaut Meets Mr. Hitchcock(en)
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
Moon Rockets(en)
This short is one of Paramount's "Popular Science" series (number L6-5, or the fifth one of the 1946-47 production season) and begins by showing moon rockets, weighing 30 tons, a flight in the ionosphere, with mounted color cameras recording pictures hundreds of miles above the earth. Coming back to earth, it discourses on modern bathroom fixtures, and then demonstrates a one-man hay-bailer.
One Got Fat(en)
This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.
The James Dean Story(en)
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
The Arrival of a Train at La Ciotat(fr)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.