
Did you know that you can patent colours, numbers, plants and animals – and that 20% of your genes are patented and owned by private corporations? In a creative investigation, filmmaker Hannah Leonie Prinzler uncovers who profits from intellectual property, and who bears the economic and social consequences.
7.6Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
7.0After the 1999 premiere of the first Matrix movie, it became a pop culture phenomenon. A special documentary about the Matrix saga and its prophetic aspects.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
7.2Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.
7.2Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...
7.2Interviews with former drug dealers, over-prescribing doctors and DEA agents uncover a shocking truth of the pharmaceutical industry’s plan to target opioid sales to an impoverished community.
0.0South Korea's is facing a population crisis, with Seoul at the centre of it. The country’s capital remains the beneficiary of both internal and external migration. Instead, it is in the rural and peripheral areas where low birth rates and the aging population have become crises. The countryside is at risk of becoming extinct. As more opportunities and people get concentrated in Seoul, urban pressures have led to rising unemployment and cost of living. And when things get expensive, people do not have babies. Seoul now has the lowest birthrate in South Korea, in a country with the world’s most dire fertility. On the other hand, farms and factories in the rural areas desperately need workers. How can South Korea solve this population puzzle?
0.0South Korea's is facing a population crisis, with Seoul at the centre of it. The country’s capital remains the beneficiary of both internal and external migration. Instead, it is in the rural and peripheral areas where low birth rates and the aging population have become crises. The countryside is at risk of becoming extinct. As more opportunities and people get concentrated in Seoul, urban pressures have led to rising unemployment and cost of living. And when things get expensive, people do not have babies. Seoul now has the lowest birthrate in South Korea, in a country with the world’s most dire fertility. On the other hand, farms and factories in the rural areas desperately need workers. How can South Korea solve this population puzzle?
6.6The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.
0.0This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.
5.8DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.
A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.
0.0This documentary follows a community action group led by American community organizer and writer Saul Alinsky in Rochester, New York. Together, they confront the community's largest employer on the issue of corporate responsibility and the employment of minority groups.
0.0Jyire holds a motocross race in his hometown, where he must adhere to the park’s restrictions and drown out the public’s concern.
0.0A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.
0.0Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobilizing their community for a soda tax. Tested during their fight for the right to vote, the young recruits dare to beat back the goliath soda industry and ignite a youth-powered movement for health equity and justice.
0.0Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.
0.0Irama Betawi is the name of an ondel-ondel group that still actively busks in Jakarta. Sometimes they busk on the streets. Other times, they are invited to play on special occasions. Through their journey taking public transportation to move from one corner of the city to another crowded corner, we get to know the day-to-day life of a dynamic group of people who are eager to make a living.
0.0Joko Supriyanto is a high school student in Yayasan Pendidikan Anak Luar Biasa (Special Needs Education Foundation) Cepogo, Boyolali--a foundation that facilitates education for the children with special needs. Joko has visual impairment that disables him to see normally.
0.0Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.