"The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this." - Takashi Nakajima
A short experimental film; "An hommage to silent movies".
In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
A collection of short parodies of the Mobile Suit Gundam saga. Episode 1 pokes fun at key events that occurred during the One Year War. In episode 2, Amuro, Kamille and Judau fight over who runs the better pension when Char comes in to crash their party. Episode 3 is the SD Olympics, an array of athletic events pitting man with mobile suit.
A game show where Jo Firestone sets up a cookie tasting in a parking lot to try to make friends. Contestants must ultimately decide between a friendship and $50 cash.
A shy student suddenly becomes the center of attention when she wins a huge birthday party that she never asked for.
The Driver now carries an arrogant rock star who is visiting a major city (not Pittsburgh as earlier believed). Played by Madonna, this title character wants to get away from her bodyguards in the Driver's BMW. He soon gets tired of her and decides to have a bit of fun.
Once again, Kaitou Kid crosses swords with Conan Edogawa in this annual installment of the Detective Conan movie franchise. After receiving a letter from the thief, famous actress Juri Maki seeks the help of private detective Kogorou Mouri to protect the Star Sapphire—the "Jewel of Destiny," said to represent faith, fate, and hope.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
2013. During Operation Bidone, the Federal Police seized a truck loaded with palm heart, which contained 697 kg of cocaine. The investigation falls on the team assembled by Ivan Romano, based in Curitiba and composed by Beatriz, Júlio and Ítalo. The traffic connections lead them to the dower Alberto Youssef and later to the former Petrobras director Paulo Roberto Costa, who reveals an immense structure involving builders and the government, in order to divert public money. As the investigation progresses, the group led by Ivan is increasingly approaching some of the country's most influential politicians.
The first theatrically release of the SD Gundam series. Contains two shorts, "The Storm-Calling School Festival" and "The Tale of the SD Warring States: The Chapter of the Violent Final Sky Castle".
Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it’s ”the sex capital of the world”. With their lives now rather dull compared to their hedonistic school days and legendary lads holiday, it’s an offer they can’t refuse. Once again, they put growing up temporarily on-hold, and embark on a backpacking holiday of a lifetime in an awful car, inspired by Peter Andre’s ‘Mysterious Girl’. Will soon finds himself battling with the lads to do something cultural, whilst they focus their attention on drinking, girls, and annoying fellow travelers.
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
When Sam is murdered in a remote lake, his consciousness begins to travel through the bodies of his friends in an effort to protect them from his killer. This dark passage leads him on a greater journey - discovering his own true identity.
A woman uncovers sinister secrets while investigating the apparent suicide of her sister.
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min
In the old projection room of a cinema something comes to life. 24 frames per second. 24 beats per minute. The analogue film is infinite. ∞
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.
“Faust Part 2” reveals the modern Faust in a romantic interlude, an idyll (from the Greek idein, "to see"); also, a journey of the id. A sense of story is inferred through the complex interweaving of human gesture, expression, and bodily movement within vibrantly shifting colours and rhythmic development, creating multiple levels of metaphorical meaning. A collaborative work with paintings by Emily Ripley and soundtrack by Joel Haertling.
A sarcastic, improvisational film, with anarchic origins, strongly cinephile flavor, and largely autobiographical in nature and content. A film director strives to escape alienation, while, at the same time, expressing his intense feelings for his wife, cinema and Greece during the restoration of democracy.
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout.
A girl gets in a car accident and wanders through the woods, encountering all kinds of nightmarish things.
ReZoning Love follows Violet, a twenty-something struggling with a rent increase and a low paying job, who meets a mysterious woman, D, who exposes her to a world beneath the surface of a screen.
In 1970, Tahar, a young Tunisian, travels to France for the first time to help his older brother, who is wrongly accused of murder and incarcerated in Paris. He first stops in Marseille, where he meets Tunisians very different from those familiar to him; enigmatic French people; and a strange atmosphere that makes him doubt his brother’s innocence, his own innocence and his own mental integrity.
The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi
These two films investigate frustrations in loving, DAYBREAK with a girl as object, WHITEYE with the camera as subject. Preserved by the Academy Film Archive in 2013.
Directly in the tradition of SEXUAL MEDITATION #1: Motel, this "sequel" does explore further possibilities of nudes in a room. - Canyon Cinema
This film takes its cue from that ultimate situation of Sex/Med/masturbation - the loft-and-lonely hotel room. It is thus easily twice the length and complexity of any other in the series.
Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.
A series of individual portraits of friends and family, all interrelated in what might be called a branch growing directly from the trunk of SONGS 1 thru 14. On order of appearance: Robert Kelly, Jane and our dog Durin, our boys Bearthm and Rarc, daughter Crystal and the canary Cheep Donkey, Robert Creely and Michael McClure, the rest of our girls Myrrena and Neowyn, Angelo Dibenedetto, Ed Dorn and his family and Jonas Mekas (to whom the FIFTEEN SONG TRAITS is dedicated), as well as some few strangers, were the source of these TRAITS coming into being – my thanks to all... and to all who see them clearly (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014.