Perdoa-me(2012)

Railway Station(pl)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

The Boutdebois Brothers(fr)

And here is an early success as he puts the viewer in the mood of a little boy, playing with his toys, running them through the paces of his little circus.

The Long Arm of the Law(fr)

A policeman has an amazing arm--one that stretches up to at least 10-12 feet. At times, he uses it to be very helpful to the local citizens, and at others he uses it to enforce the law.

Just Before Losing Everything(fr)

Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

O Outro Lado do Arco-íris(pt)

Carica is only seven years old and wants a bicycle for Christmas. But his family has no money and offers him a book. The grandfather tells him the story of the pot of gold at the end of the rainbow. On the first day of rain and sun, Carica embarks on adventure.

Break(pt)

André is a man with the need to pause. In a world where life, is so futile and fragile, he just needs a break. But what is reality, when that break... becomes too long?

What to Do on a Date(en)

A shy teen wants to ask out a girl on a date - but how can he know what she'd like to do, or what kind of activity would be best suited for getting to know her?

Rendezvous(fr)

A high-speed drive through the streets of Paris.

Carne(fr)

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Santiamén(ja)

The strange voice of Yukie guides us through her memories before the end of time. Yukie awakens in the bodies of other women and recognizes herself in different places. William Vega, who premiered his first feature La Sirga at the Cannes Director’s Fortnight, takes material from diverse sources and assembles it to show, with sensual melancholy, the fate of a woman in her transit through the “final days” of a world that, like in Eliot’s poem, ends not with a bang but with a whimper.

White and Lazy(en)

Short movie.

New York Portrait, Chapter I(en)

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

The Heart of 'The Natural'(nl)

The Arrival of a Train at La Ciotat(fr)

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Ripples(en)

Ripples uses images cut together to visualize the mind's eye of an architect as he considers his next project.

Vingers(nl)

Mathematics teacher Bernd comes to the conclusion that the youth's morals, values and thoughts (sexuality) are quite different than he thought they were.

Sirene(nl)

Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?

Prehistoric Perils(en)

Mighty Mouse encounters a Time Machine while trying to save pure-hearted Pearl Pureheart from the unwanted advances and clutches of the evil oily-villain, Oil Can Harry. After brief stops in 1620 and 1890, and ancient Egypt, Mighty Mouse finds himself in the prehistoric age of the dinosaurs. He mops up on Harry and the dinosaurs, proving he can take care of anyone, anyplace, anywhere at any time.

Castello Cavalcanti(en)

In 1955 in Italy, race car driver Jed Cavalcanti suffers a mishap during the Molte Miglia rally and finds himself in a small town with a few familial surprises.

The Call(en)

Pirelli Film's first promotional short, starring John Malcovich and Naomi Campbell.