Larry Gottheim’s Fog Line consists of a fixed shot of clearing fog in a valley in upstate New York where he lived and worked in the early seventies.
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
In the summer of 2015, former US Marine and world record weightlifter Janae Marie Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents and banned from competing. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she's looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?
Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Noah Holiday lives his life being constantly reminded of a tragic event that occurred while he was a baby in 2004. During his rough times alone, Noah rediscovers his long lost childhood teddy bear; however, what once brought him great joy now has a mind of his own and has sinister plans in store for him.
Cord Hosenbeck and Tish Cattigan return for their annual round of live Rose Parade coverage. Cord Hosenbeck and Tish Cattigan are no strangers to the iconic New Year’s tradition of the Rose Parade, having covered the event for the past twenty-six years. After a whirlwind year that included traveling abroad to cover the Royal Wedding, the duo are more excited than ever to return to Pasadena. The esteemed Tim Meadows will also return for the festivities.
Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.
Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn't realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King's half- brother, some Hungarian prince, to save Angélique from the evil troll's clutches.
Due to a female passenger falling out of her top whilst running for the bus Stan is distracted and crashes the bus resulting in the depot managers car being written off. As a result Stan, Jack and Blakey are fired. Stan and Jack soon get new jobs as a bus crew at a Pontins holiday resort but discover that Blakey has also gotten a job there as the chief security guard.
An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.
A retired ex-criminal, the notorious Mister X, must clear his name when an up-and-comer commits a heinous copycat crime.
Rescued from the guillotine by his devoted dwarf Fritz, the Baron relocates to Carlsbruck, where he continues his gruesome experiments.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Forsaking everything she has ever known, a young girl braves punishment and death to join her condemned husband in exile. Reunited and finally free of their blood-stained past, the two lovers set out to build a new life together. But as days and then weeks pass in the endless, hostile desert, they realize how little they truly know about each other, and the banishment that was to be their new beginning tears their world apart.
The Painted Door is a Canadian short drama film, directed by Bruce Pittman and released in 1984. Based on a short story by Sinclair Ross, the film was produced by the National Film Board of Canada and Atlantis Films of Toronto. It follows a housewife who struggles with loneliness after her husband ventures into a blizzard. The film received an Academy Award nomination for Best Live Action Short Film.
At a train station, a thief steals from a couple while the passengers are getting off the train. The boy runs after the thief and disappears. The girl, alone and lost, decides to go out into the street.
Miranda is a university student working on a thesis on haiku, with an experimental twist that her advisor doesn't understand. She also bought a painting of the sea that is losing water.
The black and white, live-action Swiss Trip, scored with Bach's 3rd Brandenburg Concerto (like Motion Painting No. 1), is kind of a nature or travel film cut via noticeable (in-camera?) edits that give the impression the film is constantly blinking and foreshadow techniques Stan Brakhage would use in the '50s and '60s. Preserved by the Academy Film Archive in 2000.
An intersex runaway searches for love and a way out of his working class neighborhood in New Jersey.
A Hyper Battle DVD movie based on Kamen Rider Revice.
In a future world where memories are handled like computer files, two lovers decide to undergo a procedure and have their entire relationship wiped from their brains.
Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.
Wayne, an awkward loner, has just started working the graveyard shift as an apprentice mortician. When his merciless supervisor leaves him alone and in charge for the night, Wayne decides to make the most of it. Starring Anton Yelchin, this controversial short film was cut from the theatrical release of Movie 43 for pushing the boundaries too far.
For anyone who has ever confronted a difficult decision in which none of the solutions seems like the right one, CROSSROADS will have a special resonance. Made at a time when the director was facing great uncertainty in his life, the film is an extended, often humorous, look at a man pulled in too many directions, in a world in which everything keeps changing and all roads seem to lead back to the beginning.
This tongue-in-cheek cautionary tale by Croatian director Zlatko Grgic traces man's checkered history with fire, and shows how growing carelessness in the form of overloaded sockets, smoldering cigarettes and other fire hazards can have highly undesirable consequences.
Françoise provokes a chain reaction amongst people as she appears in a Japanese restaurant during lunchtime...
What happens when Humanity arrives at the technological singularity and achieves digital immortality? Where do we go from here?
Marie, the daughter of a pastor, and major Trolle are young and in love, and they seem destined to become engaged. Everything is coming up roses when a serpent enters this Paradise. Trolle’s close friend, Hoffmann, begins making passes at Marie, and even in the face of consistent rejections he remains tireless in his pursuit. When he assaults Marie one evening, Trolle surprises them and mistakenly thinks they are having an affair. Marie is deeply hurt by Trolle’s distrust of her, so she leaves him quietly and finds employment at the Scala Theatre. When she is to perform some time later, Hoffmann is present – as is Trolle, who has realised his mistake. When she receives an ingratiating message from Hoffmann, she makes an impulsive and fateful decision. Stumfilm.dk
A dance film that serves as an expression of feminine rage and channels the spirits of those whose land we walk, create, and dance on.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)