A documentary about the weeks leading up to the early death of jazz legend Eric Dolphy. Centered around his last month alive and the titular record done in Holland with Misha Mengelberg and Han Bennink, the documentary traces his LA roots up through the last Charles Mingus tour that led Dolphy to stay in Europe in 1964. The interviews are with a host of contemporaries like Richard Davis, Ted Curson, Nathan Davis and those involved in the Last Date recording. The rare archival footage of Dolphy is riveting. The pictures provided by friends and family also show an intense young man whose future success was assured.
Self
A documentary about the weeks leading up to the early death of jazz legend Eric Dolphy. Centered around his last month alive and the titular record done in Holland with Misha Mengelberg and Han Bennink, the documentary traces his LA roots up through the last Charles Mingus tour that led Dolphy to stay in Europe in 1964. The interviews are with a host of contemporaries like Richard Davis, Ted Curson, Nathan Davis and those involved in the Last Date recording. The rare archival footage of Dolphy is riveting. The pictures provided by friends and family also show an intense young man whose future success was assured.
1991-12-13
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An account of the life of the brilliant jazz musician John Coltrane (1926-67), a gifted saxophonist, an extraordinarily talented thinker whose original, avant-garde work has impacted and influenced people all over the world. A story about music's ability to entertain, inspire and transform.
Part jazz history, part true-crime tale, Kasper Collin’s new documentary employs extensive archival footage and new interviews to tell the tragic story of the magnificently talented trumpeter Lee Morgan and his common-law wife Helen, who murdered him in a New York bar in 1972.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
An immersive look at the eventful life and brilliant artistic career of visionary American jazz trumpeter Miles Davis (1926-1991).
While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.
A documentary that explores the challenges that a life in music can bring.
The emblematic festival Jazz à Vienne welcomes each year more than 200 000 festival-goers and 1000 artists. This documentary retraces the history and relives the highlights of the festival, since its creation in 1981 by Jean-Paul Boutellier, Jean Gueffier, Pierre Domeyne, Jean-Pierre Vignola and George Wein. The greatest jazz musicians have performed there, such as Miles Davis, Michel Petrucciani, Ella Fitzgerald, Sonny Rollins, Lionel Hampton, Dee Dee Bridgewater, Herbie Hancock, Chet Baker, Dizzy Gillespie. So much so that in four decades, Jazz à Vienne has become one of the most important jazz festivals in the world, open to all styles.
A seventy-six-minute version of Häxan, re-edited and re-released in the United States by Metro Pictures Corporation in 1968. It is narrated by author William S. Burroughs, with a jazz score and soundtrack featuring violinist Jean-Luc Ponty.
A feature-length tour of Amsterdam's thriving jazz scene.
A documentary on Dizzy Gillespie's landmark visit to Cuba and his performance at the Fifth International Jazz Festival in Havana, Cuba. Filmed in 1985 with Arturo Sandoval and Sayyd Abdul Al Khabyyr.
Miles Davis performing live at Berkshire Music Center, Tanglewood Massachusetts on August 18, 1970. Miles Davis tp / Chick Corea el-p / Keith Jarrett org / Gary Bartz ss, as / Dave Holland el-b / Jack DeJohnette dr / Airto Moreira perc 1. Directions 2. Bitches Brew 3. The Mask 4. It's About That Time 5. Sanctuary 6. Spanish Key 7. Miles Runs The Voodoo Down
The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
A Film About Kids and Music is a project arising from a music class. Conducted by Joan Chamorro, the big band brings together children between 6 and 18 years old, around a classic jazz repertoire with lots of swing, which gained the public’s attention and sold-out some of the most important music auditoriums in Spain.
Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."