Director Carolin Genreith takes a warmly ironic look at her mother and her female friends but also addresses her own fears and vanities. A vibrant portrait which looks beyond the borders of one twentysomething’s coolly urban lifestyle in Berlin to examine the travails of menopause – as well as the art of banishing one’s fear of ageing with a well-placed hip thrust.


Director Carolin Genreith takes a warmly ironic look at her mother and her female friends but also addresses her own fears and vanities. A vibrant portrait which looks beyond the borders of one twentysomething’s coolly urban lifestyle in Berlin to examine the travails of menopause – as well as the art of banishing one’s fear of ageing with a well-placed hip thrust.
2013-06-20
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8.0A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
3.0Star-studded show recorded at the Big Sur Folk Festival, Big Sur, California, September 13th and 14th, 1969. Joan Baez, Crosby, Stills, Nash & Young, Joni Mitchell, John Sebastian, and others. This film captures a remarkable moment in folk, rock, and pop history - the famous folk festival that brought traditional acts like Dorothy Morrison & The Combs Sisters and Carol Ann Cisneros together with the psychedelic rockers of the day who were most deeply rooted in the folk revival. Older songs like ‘Oh Happy Day,’ ‘Rise And Shine,’ ‘All God’s Children,’ and ‘Swing Down, Sweet Chariot’ meet Joni Mitchell’s ‘Woodstock,’ Joan Baez’s ‘Sweet Sir Galahad,’ ‘Bob Dylan’s ‘I Shall Be Released,’ CSNY’s ‘Down By The River,’ and many more of the now-classic songs of what was then called the ‘new rock.’ The scene is notably intimate and - aside from one fan’s dustup with Stephen Stills - mellow, with many rare, close-up moments with the stars.
7.5A long thought lost radio interview with Peter Cushing is accompanied by comments from friends and colleagues.
6.6Oscar-winning filmmaker Julia Reichert reflects on the social, economic and personal forces that led to her career as a pioneering documentarian.
0.0Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.
7.9Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.
7.7Jon Stewart performs a solo standup routine, telecast live from Miami, Florida.
7.2Life and Debt is a 2001 American documentary film that examines the economic and social situation in Jamaica, and specifically how the International Monetary Fund and the World Bank's structural adjustment policies have impacted the island.
5.2The controversial bad-boy of comedy delivers a piercing look at his life, lifting the metaphorical smokescreen that he feels has clouded the public view, commenting on everything from the dangers of smoking to the trials of relationships, and unleashing a nonstop litany of raucous anecdotes, stinging social commentary and very personal reflections about life.
8.0A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.
Another kind of utopia is presented in the films of Naomi Uman, whose search for her family roots in the Ukraine led her to move to the small village of Legedzine. In "Unnamed Film", she shoots the old bubushka ladies as they expertly prepare pickles, pick vegetables, and sing odes to vodka. Shot on 16mm with non-sync sound, it has an intimate, handmade quality, only heightened by the use of explanatory inter-titles in place of subtitles. Uman’s Ukrainain was weak, so she wanted the viewer to have the same experience as she did, just getting the gist of things. As with Uruphong’s work, there is a nostalgia for the old ways, which were self-sufficient but took an incredible toll on the body. The bubushkas complain about their aching backs and the never-ending poverty, spiking any drift towards romanticization.
7.1The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
7.3Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
8.3THE PATHOLOGICAL OPTIMIST takes us into the inner sanctum of Wakefield and his family from 2011- 2016 as he fights for his day in court in a little known defamation case against the British Medical Journal. Wakefield attempts to clear his name as the media-appointed Father of the Anti-vaccine movement.
7.6The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.