
Jerry Marsden, the son of a wealthy man, finds himself in a series of comedic misunderstandings. To prove a point or escape a social obligation, Jerry decides to take the place of his butler, who has been sentenced to a short stay in jail. While incarcerated, Jerry finds the experience surprisingly pleasant, as he receives special treatment and even manages to flirt with the jailer's daughter, Ruth Morrisey (Alice Day). Chaos ensues when his true identity is threatened and he must navigate the complexities of high society while technically being a "prisoner."

Jerry Marsden, the son of a wealthy man, finds himself in a series of comedic misunderstandings. To prove a point or escape a social obligation, Jerry decides to take the place of his butler, who has been sentenced to a short stay in jail. While incarcerated, Jerry finds the experience surprisingly pleasant, as he receives special treatment and even manages to flirt with the jailer's daughter, Ruth Morrisey (Alice Day). Chaos ensues when his true identity is threatened and he must navigate the complexities of high society while technically being a "prisoner."
1927-04-17
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0.0Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
0.0An Englishman who has made his fortune in America decides to return to England.
0.0Minnie, the homeliest girl in town, is devoted to her father, a discouraged inventor who has been working on a wireless device. Subject to the sneers of her neighbors, Minnie "invents" a lover and sends herself letters and flowers. Her stepsister suspects the truth and threatens to expose her. Desperate, she claims an unidentified body at the morgue and tells a reporter that this is her lover, unaware that the body is that of a Chinese man. The absent-minded reporter sees her heart and forgets about the big story. After further disappointments in the invention, Minnie's stepmother decides to leave her father. Her father then has a success and becomes rich. At a celebration, the stepsister and townspeople are surprised when a new couple appear, which turn out to be the former reporter and his lovely wife Minnie.
0.0A chaotic, night-long comedy ensues when a newlywed couple's celebration is interrupted by rowdy in-laws, a pet parrot that gets stuck inside the cooked turkey, and a series of slapstick mishaps. The turmoil is resolved when a perceived, romantic misunderstanding is revealed to be a secret surprise celebration for the husband's new contract and salary increase.
The story centers on Flapjack Ike (played by John Bunny), a dominant local figure or "autocrat" in the titular town. Ike faces off against Edith, the Widow (played by Flora Finch), who challenges his authority.
Alice takes her little siblings Billy and Kitty to a matinee. They immediately become imbued with the wonderful idea that they are actors. They set up a miniature stage of their own in the summer house on the grounds. They spy upon their sister and her sweetheart Bob, and reproduce their affairs. A quarrel furnishes material for an interesting production, which is a revelation and a lesson to Bob. He goes and makes amends, acting upon the suggestions of the performance.
An escaped lunatic threatens the romance of his wife and her new suitor.
6.0A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.
Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.
0.0One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
0.0A woman takes the place of a wife who had died seven years earlier.
Bobby, the doughboy, has left his sweetheart behind in Paris. He returns for her and has the greatest difficulty locating her. In his hunt he runs into the tough White Rat Cafe, where the Darling of Paris becomes enamored of him, thereby arousing the jealousy of her lover, who threatens Bobby with dire consequences. Bobby escapes, runs into his sweetheart, and in the chase, the villain at his heels is captured by the police as a badly wanted criminal.
0.0The secret formula for the world's most powerful explosive has been stolen from the U.S. government. William Brown, a clerk who aspires to be a detective, has just received his badge from some anonymous Midwestern agency, and manages to get himself embroiled in the intrigue.
0.0No known surviving copy is known to exist. This well received film revolved around Harry Van Housen's rejection from service in WWI and subsequent heroism in foiling a ring of spies.
0.0When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...
Mrs. Letitia Summers, owner and principal of an exclusive boarding school, decides to give her two nieces an education while deciding which will be her heir unbeknownst to them. She writes each a letter, stating that a lady of means has provided for their education at Mrs. Summers' seminary. Edith and May are both delighted with the news, but while Edith leaves with her modest belongings May immediately demands a lot of new things to satisfy her vanity and desire to make a great impression. May attracts considerable attention upon her arrival but Edith, in her modest wardrobe, is received with disparaging remarks. Both do well in their studies but on graduation day Mrs. Summers calls the two girls into her private office and tells them that she is their aunt, and she has chosen Edith as her heir in recognition of her kindness and thoughtfulness towards others, particularly towards her poor mother.
The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.