Movie: Sistine Chapel

Top 5 Billed Cast

Shigeko Kubota
久保田 成子

Self

Charlotte Moorman
Charlotte Moorman

Self / Performer

Merce Cunningham
Merce Cunningham

Self

John Cage
John Cage

Self

Joseph Beuys
Joseph Beuys

Self / Performer

  • HomePage

  • Overview

    Sistine Chapel is an audio-visual collage of new footage and samples from Paik’s past videos, which featured many of his friends, collaborators, and public figures. It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.

  • Release Date

    1993-10-13

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

  • Keywords

Similar Movies

Six Unkind Silences
0%

Six Unkind Silences(en)

2025-03-01

A Landscape documentary about the silent voids the living inhabit after everyone they love has gone.

[MADO]
0%

[MADO](ja)

2023-07-07

Starring Masahiko Nishimura, "MADO(Window)" is an extremely closed, socially conscious drama based on a true story of the actual court case known as “Yokohama Secondhand Smoke Trial" in Japan, This is the first feature film directed by a successful commercial director, Mao. Being a son of the plaintiff, he had a great passion for tackling this sensitive issue caused by chemical sensitivities.

G(ode)ard
0%

G(ode)ard(en)

2022-09-28

An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.

to boyhood, i never knew him
0%

to boyhood, i never knew him(en)

2022-12-13

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

Phantasia
80%

Phantasia(xx)

2024-03-13

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Dream of the Wild Horses
80%

Dream of the Wild Horses(fr)

1960-06-01

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Deshilando Luz
0%

Deshilando Luz(es)

2025-05-29

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Euphoria
0%

Euphoria(en)

2022-11-29

Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.

Video Wall Installation of John Cage’s 4’33″
0%

Video Wall Installation of John Cage’s 4’33″(en)

2013-02-08

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.

Another World
0%

Another World(fr)

1958-01-01

Documentary on the work of French caricaturist Jean Ignace Isidore Gérard, better known by his pseudonym Grandville (1803-1847). Based on a text by Dotremont, the film takes us on an imaginary journey to the planet of the "Real People", whose habits and customs we learn about. A satire on the arts and society.

Swinging Light
50%

Swinging Light(en)

2025-03-21

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

Feminine Singular
0%

Feminine Singular(en)

2023-11-07

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.

Tree Limbs
0%

Tree Limbs(en)

2025-04-18

A homogeneous structure of wind and light across tree branches in the South region of Isère

Islam
100%

Islam(sh)

1973-01-29

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.

Pinnacles
90%

Pinnacles(xx)

2022-08-29

Resulting from an ancient volcanic eruption, revered as sacred by the Chalun and Matsun Native American Tribes as the home of the Firebird/Thunderbird (California Condor) a supernatural being of power and strength. Pinnacles represents transcendent moments, spiritual guidance and forging new timelines within interpersonal landscapes.

Beneath the Concrete, The Forest
0%

Beneath the Concrete, The Forest(en)

2023-02-16

“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.

All this Roughness
0%

All this Roughness(es)

2020-09-02

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

bleared eyes of blue glass
0%

bleared eyes of blue glass(xx)

2023-06-21

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

Objects of War
0%

Objects of War(fr)

2000-01-01

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

Dieter Roth. Solo Scenes. 1997-98
0%

Dieter Roth. Solo Scenes. 1997-98(de)

1998-01-01

These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.