The film reports on the massive forest damage in the Ore Mountains on the Czech-German border and the desperate struggle of foresters and residents to save this landscape. Hope, doubt and an ever-increasing ecological catastrophe are pitted against a blind and deaf doctrinaire state power that denies the facts.
Narrator (voice)
The film reports on the massive forest damage in the Ore Mountains on the Czech-German border and the desperate struggle of foresters and residents to save this landscape. Hope, doubt and an ever-increasing ecological catastrophe are pitted against a blind and deaf doctrinaire state power that denies the facts.
1990-06-14
0
In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
Retired lumber jacks talk about their careers in forest industry of Lapland.
Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.
Discover the "character" of one of Missouri's oldest tie and lumber operations through this archival black-and-white film that documents one of the last railroad tie drives on the Black River made by the T.J. Moss Tie Company of St. Louis in the 1920s. Thanks to release of the film by the Kerr-McGee Chemical Corporation, the rare footage in "Stamp of Character" takes us through the entire process of making railroad ties, at a time when forests covered almost two-thirds of the state. The original silent motion picture was shown in movie theaters as an advertisement by the T.J. Moss Tie Company. Using digitally edited narration and realistic sound effects, this video makes the past live again.
Follow a group of boys as they learn forestry, map reading, camping, canoeing and rock climbing.
Once Upon a Time in a Forest is a film about brave young people who are defending one of the last coniferous forest areas in Europe. It is a morality play and a love story of a younger generation whose main object of love is the Finnish forest. This cinematic documentary explores environmental feelings and witnesses how the 22-year old protagonist Ida grows up to be the leader of the new Forest Movement.
Documentary film about the use of tractors in Czechoslovak forestry. It shows a forest tractor felling trees, loading logs, hauling and grubbing.
Living in an ancient redwood tree for more than two years to prevent the tree from being clear-cut, Julia Butterfly Hill captured our hearts and minds by showing us that one person can make a difference. Through interviews with Hill, filmmaker Doug Wolens paints a portrait of an intensely spiritual and articulate woman who encountered both beauty and horror (she was assaulted by lumber company helicopters at one point) during her time above ground.
The human impact on forests is explored through breathtaking vistas and poignant vignettes set in Canada's Pacific Northwest. Those who rely on this precious resource highlight the tensions and dilemmas between commodification and conservation.
Blad-Johan and the Nature Filmer are two cartoon characters who are part of this rhapsodic montage of crazy ideas and situations that take place in nature.
When Rana's delight, her hen, Kakoli, goes missing, causing her to enter into the state of shock, and joy consequently leaving her completely, her brother and his friend embark on a quest to find the animal, and possibly save her from the dangerous band of local poachers, who coincidently turn out to be followed for arrest by the very small team of local rangers, consisting of Rana's father, among others.
Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?
Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.
A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.