
Dusking is a project by the artist Lucy Wright—a newly invented tradition, conceived as the counterpart to the morris dancing that takes place on 1 May marking the arrival of summer. Taking place instead on 31 October, it invites participants—who join in remotely around the world—to ‘dance the sun down’ and honour the gifts of rest, reflection and replenishment associated with the darker months of the year. 'Mirie it is' is Lucy’s own contribution to this continuing tradition, a 3-part performance embodying each of the three stages of scientific twilight—civil, when the sun dips between 0 and 6 degrees below the horizon; nautical (when it’s below 12 degrees – and most stars can be seen with the naked eye) and astronomical, when just a little light is still left in the sky.
Herself
0.0The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.
0.0Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.
0.0Hopper, one of America’s most admired artists, captured the shared realities of American life with poignancy and enigmatic beauty. His iconic images, set in unexceptional places, reveal the poetry of quiet, private moments. Hopper’s influences, which vary from French impressionism to the gangster films of the 1930s, are explored through archival photos, footage of locations he painted in New York and along the New England coast, and interviews with artists Eric Fischl and Red Grooms.
Louisiana filmmaker, Pat Mire, teams up with veteran filmmaker and cinematographer, Charles Bush, to capture the natural drama of handfishing in this award-winning documentary. Highly visual, the film examines the thrilling regional phenomenon of Cajuns who wade in murky bayou waters to catch huge catfish and turtles by reaching into hollow logs and stumps with their bare hands. Friends and family accompany the handfisherman to the bayou banks for Cajun music, festive cooking, and storytelling, and to witness this increasingly rare tradition. Told from the inside with multiple voices, Mire and Bush explore the chain of events set off by man's attempt to "improve" his environment by dredging bayous in this remarkable study of the relationship between cultural and natural resources.
0.0In the first 58 minute Performance, Relation in Space, which took place in July 1976 at the Biennale in Venice, Abramovic/Ulay, both naked, walk towards each other from opposite ends of a room, touching as they pass each other, and then they repeat the movement while their bodies collide and one of them (Marina) falls over under the impact, until they are both exhausted. A statically mounted video camera simultaneously filmed the touching of the bodies in the middle of the room.
7.356-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.
0.0Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.
0.0A witch appears in the south of the city, recites a poem, performs a spell and vomits the world.
0.0Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.
6.0Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
5.5In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
0.0Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
8.0Romantic art was a response to the social upheavals of the 19th century, as shown by works by its emblematic painters Friedrich, Venetsianov and Delacroix.
A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.
7.4British surrealist Leonora Carrington was a key part of the surrealist movement during its heyday in Paris and yet, until recently, remained a virtual unknown in the country of her birth. This film explores her dramatic evolution from British debutante to artist in exile, living out her days in Mexico City, and takes us on a journey into her darkly strange and cinematic world.
0.0King for a Day is a poetic archive-led documentary immersing us in the personal story of the people of Padstow in Cornwall, their ancient rituals and the challenges they face in a rapidly changing world. The tension between tradition and progress highlights the importance of cultural identity and the role of folk customs in our globalised society. King for a Day is an intimate portrait of a place and community pushed to the margins. A cinematic journey interweaving audio-visual archive spanning 150 years. Will this be the last generation to tease the ‘Old Oss’ from his stable to welcome the Summer?
6.7Lexington, Kentucky, 2004. Four young men attempt to execute one of the most audacious art heists in the history of the United States.
