Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
2004-02-13
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Offbeat performance artists The Blue Man Group have finally been captured live on this disc that features concert footage, three full-length music videos and three songs from Blue Man Group's album, "The Complex." The live footage was filmed during Blue Man Group's successful and widely acclaimed August 2003 rock tour, where they wowed 9,000 fans in two sold-out concerts.
Balkan Erotic Epic explores the sexual aspects of Serbian folklore. Ancient myths that have trickled into everyday household remedies or explanations are juxtaposed with the joys of the female and male sexual forms from which all human life originates. Functioning as both sexual liberation and reinvented modern myth, Balkan Erotic Epic is a display of the need for a cultural change in viewpoint around sex.
Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations. Interviews with old companions and artist friends in the U.S., Europe, and Asia are linked with anarchically montaged Gelitin archive material: intense, transgressive, experimental, gaudily colorful, funny, and virulent.
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
A video portrait of the legendary late performance artist, fashion designer and nightlife icon Leigh Bowery. Atlas's camera follows Bowery as he flamboyantly strolls through Manhattan's Meatpacking District, outrageously costumed in a self-made reinterpretation of "Mr. Peanut," the Planter's Peanut mascot. Bowery's molded full-bodysuit, accessorized with a floral print dress, top hat and transparent-heeled platform shoes, draws stares from onlookers. Peanut-related pop songs accompany him on the soundtrack.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
IN 1988, rising star Kenneth Branagh tackled the role of Shakespeare’s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi. Narrated by Patrick Stewart, this hour-long film documents how Kenneth Branagh and Derek Jacobi, two intelligent and passionate men, found new depths in Shakespeare’s classic drama, Hamlet. Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night.
A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.
A gentle portrait of the mythical Spanish actor Arturo Fernández (1929-2019) in the hour of his passing, in his own words, through his latest interviews, not previously broadcast, and the words of those who knew him thorough decades of charming and good performance on stage, his true home, as well as in cinema and television.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
1 A Bitter Message Of Hopeless Grief 2 The Will To Provoke 3 The Delusions Of Expediency 4 The Pleasure Of Uninhibited Excess 5 A Scenic Harvest From The Kingdom Of Pain 6 Virtues Of Negative Fascination 7 Seven Machine Performances
Within the world of theatre the rehearsal room is a sacred space -- the private domain where boundaries are pushed, risks taken, mistakes made, vulnerabilities exposed and, at its very best, magic created. It's not a place into which the public is often, if ever, invited. Until now; In The Company of Actors features an ensemble of Australia's finest actors, including Cate Blanchett and Hugo Weaving, as they prepare to perform the Sydney Theatre Company's production of Hedda Gabler, at the prestigious Brooklyn Academy of Music in New York. Opening night is just five weeks away and the pressure is on.
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
My Trip to Miami follows a well-meaning, misguided, tourist as he tries to self-actualize via Trip Advisors algorithmic script. My Trip to Miami is a documentation of a fantasy, a failure in image-based expectations.
A young man in a tram is asking a bit too much from a stranger.