From Oran to Almeria(2025)

Le Rescapé(fr)

In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.

The Other Shore(fr)

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

Les Ajoncs(fr)

An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".

Le Bougnoul(fr)

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

Rome Rather Than You(ar)

"For more than ten years, Algeria has been living a slow war, a war without a front line but having caused more than 100,000 deaths. It is this desert that Zina and Kamel – two young Algerians sometimes hallucinated and joyful, sometimes dejected and serene – will want to travel one last time before leaving it for elsewhere. Road Movie on the territories of a city, Algiers whose construction sites are in decline. Roma wa la n'touma will show that fleeing abroad is not is not a refusal of combat, but an obscure struggle against assignment. Tariq Teguia

Rachid Taha, rockeur sans frontières(fr)

Bledi, This is Our Home(fr)

Fleeing their war-torn homeland, forty thousand Algerians come to Montreal, Quebec in the 1990’s. Many are refused refugee status and are not allowed to study or work normally. Years go by, children are born and Canada becomes home. Then comes 911. Deportations begin.

Ali in Wonderland(fr)

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

NANTERRE, une mémoire en miroire(fr)

Spectrum(it)

The Adventures of Snowden the Snowman(en)

Nothing's more exciting than the first day of snow, because that means Snowden the Snowman is coming to visit! His forest pals, Cha Cha the Squirrel, Flops Hare the Rabbit, Simon the Mouse and La Rue the Bird, know that snowflakes mean it's time to go sledding together. But Cha Cha is scared to sled, so she pretends she can't unless she finds her "lucky" nut. The hunt for the nut takes the group on all sorts of adventures, from a close call in a bear cave, to a wacky visit with Sly Fox, the inventor. It's a fun-filled journey of giggles and songs, with leons to learn about being afraid, telling the truth and how to be a friend.

A Cool Like That Christmas(en)

A funky hip-hop holiday special featuring a teenage boy named Orlando who lives in an underprivileged neighborhood.

Apple Thieves(hu)

Two thieving gloves try to snatch an apple.

Good King Wenceslas(en)

King Wenceslas brings food to the poor with the help of his uptight page, Stefan. As they go, flashbacks to King Wenceslas' childhood answer that age old question - how did King Wenceslas get to be so good?

Jingle Bell Rap(en)

The K9-4 is a merry group of musical dogs that rap and rock their way through this colorful Christmas cartoon. In it, Fetch, Licks, Rollover, Bones and Roxie journey back to their hometown for a special Christmas Concert, and a very special reunion for Rollover.

Happy-Go-Lucky Days(ja)

Love is love. Someday, the pain of being in love will be an endearing memory. No matter who the feelings are towards, no matter what form it takes, all love and lifestyles have the same value. An omnibus anime tells the stories of “The wedding of an ex”, “a student and a teacher at an all-boys’ school” and “childhood friends whose bodies and hearts change with adolescence.”

Cels(en)

A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.

Whitney Commercial(en)

Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.