

The return to nowhere.
Nešto

The return to nowhere.
2025-04-26
0
you can't run
10.0Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
0.0This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
0.0A nuclear family sits in front of the television. The phone rings.
0.0In the sprawling, desolate expanse of a grand house, resides a solitary girl. Haunted by memories and the weight of isolation, she spends her days wandering through its empty rooms—a labyrinth of forgotten corners and fading grandeur.
0.0Six sequences about Fascism and its segments throughout history.
0.0Plastic artist Leo invites young Dante to his art studio and proposes a peculiar game to leave all tension behind.
0.0What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.
10.0A reflection on man's relationship and needs with the earth, with the self and with hope.
0.0The last person on Earth revisits their memories as they wander a lonely world
0.0Ariadne, a theatre actress, is seemingly trapped inside a room. Once she lets go, the room starts shifting.
10.0After his death, a young man stuck in purgatory attempts to cope with the afterlife.
0.0A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
0.0Birth growing and gathering of a family which is not even an average one