A dramatic feature shot on location in Rome. Centered around the adventures and illusions of three girls living abroad, the film explores their restlessness and personal involvements in assuming the role of woman as hunter.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
A film crew working for an edgy media company travels to Argentina to profile a local musician, but their ineptitude leads them into the wrong country. As the crew collaborates with locals to fabricate a trend, unexpected connections blossom while a pervasive health crisis looms unacknowledged in the background.
A romantic comedy centered on Dexter and Emma, who first meet during their graduation in 1988 and proceed to keep in touch regularly. The film follows what they do on July 15 annually, usually doing something together.
Seven socio-economically successful women around the age of fifty come together in France for their annual multi-day bike ride.
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
In post-Taliban Kabul, two lost children, brother and sister whose parents are in prison, try to survive every day by scavenging for food. At night, they join their imprisoned mother.
After twelve years of imprisonment by their own parents, two Iranian sisters are finally released by social workers to face the outside world for the first time.
A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.
He can deliver a breathtaking speech on the American soul to flabbergasted schoolboys, get mixed up in the private lives of his citizens, and even get his 18-year-old daughter to swear that never, but never, would she leave home. Meet Simon Wolberg, mayor of a small provincial city, madly in love with his wife, an interfering father and provocative son. This man is driven by an obsession with his family. Which leads him to test the force and fragility of these bonds.
A melancholic 17-year-old raised on a small commune by her father encounters a free-spirited older woman she is convinced is her birth mother.
A woman struggles with her son's illness and her husband's infidelity, but, after a chance encounter with an Irish sailor and his son, her life is turned upside down in a love story that defies explanation and breaks all the rules.
Lee Jang-hwan receives widespread acclaim and media attention after successfully cloning human embryo stem cells. A TV news program PD, Yoon Min-cheol, receives a phone call from an anonymous source who says he has worked with Dr. Lee on the stem cell project. The source blows the whistle on Lee's work, revealing how Lee fabricated research results and engaged in unethical practices.
A female director decides to make a autobiographical film on her love life and we see it through the use of flashbacks and brilliant intercutting.
Yang Rui falls in love for the cleaning woman who works in a taekwando gym, only to later discover she's an undercover cop named An Xin. An is in hiding from drug smugglers who have a score to settle with her - a raid she led resulted in the death of one of the smuggler's parents. To complicate matters further, An was previously romantically involved with the smuggler whose parents were killed.
This movie goes through 12 significant nights (not consecutive nights) in a relationship between two characters. The movie offers some insight into the repetion involved in relationship cycles from interest through various tensions to eventual disinterest.
In 1950s Australia, beautiful, talented dressmaker Tilly returns to her tiny hometown to right wrongs from her past. As she tries to reconcile with her mother, she starts to fall in love while transforming the fashion of the town.
Nathalie, 32 years old, is an ordinary woman of her age totally in love with her boyfriend. But her life will totally change when her co-worker rape her after a party. Life is now a struggle where every detail is a fight to get back a normal life. Through this 'ordinary' story, Natalie will turn into an example for all those women who had chosen to remain silent.