
The film examines a personal attempt to address existential concepts related to Palestinians such as exile, return and the image of the homeland.

The film examines a personal attempt to address existential concepts related to Palestinians such as exile, return and the image of the homeland.
9.5
0.0Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.
6.7A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
10.0The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
6.9Two childhood friends are recruited for a suicide bombing in Tel Aviv.
8.4“In Gaza you have to get there in the evening, in spring, lock yourself in your room and from there listen to the sounds coming in through the open window.... It's 2018. I am 25 years old and a foreign traveler. I meet young Palestinians my age..”
0.0BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.
7.5A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
6.0In 1917 when the British forces are bogged down in front of the Turkish and German lines in Palestine they rely on the Australian light horse regiment to break the deadlock.
6.1A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
8.0In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
6.7An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.
0.0This fascinating documentary explores the life and music of Saz, an Arab rapper living in a Jewish neighborhood who offers up a unique perspective as he creates music he hopes will aid in the reconciliation between Israel and Palestine. Believing people of differing viewpoints can come together as they enjoy his music, Saz travels from Tel Aviv and Haifa to London, presenting his own kind of musical peace treaty wherever he goes.
1.0A poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.
7.1Intent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitism today?"
0.0Short film made from photographs taken by anthropologist and photojournalist Rogério Ferrari in Palestinian territories in 2002.
7.4Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
7.0A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.
0.0Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.
0.0We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.
6.5Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.